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Please complete BOTH sections. Complete all questions in Section 1 and write an to answer one of the questions in Section - Essay Example

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Please complete BOTH sections. Complete all questions in Section 1 and write an to answer one of the questions in Section

2. What is the difference between art cinema and classical cinema? The difference between art cinema and classical cinema is clearly delineated. Art cinema is the most acknowledged area within film studies due the recognition it receives from celebrated film makers, specific films or cinema types, as well as from select writers and the target audience. Art cinema is commonly located within the auteur category of films, with examples including L’Avventura (1960). In contradistinction to art cinema, David Bordwell and other filmmakers coined the term ‘classical cinema. Their focus tends to be on the metteurs-en-scene category of art or film. As such, classical cinema has been broadly disseminated because of the dominance of these film types, and most filmmakers choose to make films in this style. Art cinema is presented in small film theatres, compared to classical cinema, which is conducted in large multiplexes. Art cinema screen new films with repertory functions, drawing their audiences from a highly educated urban demographic. This differs from classical cinema, which is indicative of popular culture and attracts a less educated, rural demographic (Kolker 1980). 3. Who are the movie brats and what do they have to do with auteurism? Movie brats include directorial luminaries such as Michelangelo Antonioni (b. 1912), Federico Fellini (1920–1993), Jean-Luc Godard (b. 1930) and Ingmar Bergman (b. 1918). Their respective films L’Avventura, 8? (1963), A bout de souffle (Breathless, 1960) and Det sjunde inseglet (The seventh seal, 1957) played a critical role regarding the impact that auteurism has had film production. It is evident that a new generation of movie brats exercised greater controls the in the creative process and production of their films (Grist 2000). The recent works of the movie brats have challenged the romantic and individualistic ideologies portrayed in earlier works that conform to aspects of auteurism. As pointed out by David Cook (1996), auteurism was exploited along with the rise of college level film to entice patronage. Further, Timothy Corrigan (1994) also notes that the appearance of the United States (US) studio system made the deployment of auteurism a potential outcome in the marketing of movies within a system other than that using studio signatures. The movie brats also tended to focus on the role of auteurism in enhancing the economies of distribution. Therefore, the article focuses on the place of auteurism and its struggle against the organisation of film production in the first few years. They have thus deployed auteurism to assert the prerogative of the professional managerial class against, not only the studios, but also the film unions. The two films Joe (1970) and Five easy pieces (1970) demonstrate the battles affecting the balance of power existing in the industry; this occurred alongside the representation of characters dealing with social class in the majority of these films (Grist 2000). 4. What is entailed by the aesthetic category of ‘the grotesque’? As described by the director Stanley Kubrick, the aesthetics of ‘the grotesque’ (2006) entail the analysis of films dealing with aspects such as tone, mood and ...Show more
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Section 1: Short answers 1. What is the difference between a metteurs-en-scene and an auteur? A metteurs-en-scene and an auteur comprise literary or cinema works that originate from various sources. The work of an auteur portrays a semantic dimension since it is not purely formal, whereas the work of a metteurs-en-scene does not extend past the realm of performance, transposing a pre-existing text or scenario, book or play into special complex cinematic codes…
Please complete BOTH sections. Complete all questions in Section 1 and write an essay to answer one of the questions in Section
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