Latino Narrative Film - Research Paper Example

Speaking about Latin cinema of that period, it is worth mentioning that common historical destiny of the all countries of the continent largely led to the commonality of the social problems that most of the Latin countries faced with. It also determined the interrelation and spiritual affinity, which found the expression in the cinematograph. In most general terms, the Latin cinema is closely connected with the national reality and national identity (Shaw, and Dennison 6). The current paper will consider and compare two examples of the Latino cinematography, Romero (1989) and Innocent Voices (2004), brightly representing the national idea and national values in the context of the civil war in El Salvador.

Due to the different social statuses of the main heroes, these two stories appear to be different, but the common problem of national oppression makes them alike. The comparison of the films will be conducted with the enclosing of the historical context, short description, reasons and methods of imaging, the authors used in both movies. Before starting to analyze the movies and understand the relevance of the problems discussed in films, it worth considering the historical background. The suggested movies tell their stories that developed during the civil conflict in El Salvador in 1970’s – 1980’s. . king measures of this, but was ensuring the interests of large landowners and foreign monopolies that naturally led to the roll of the public moods “to the left”, to communism.

The electoral frauds during the 70’s and the violent suppressions of public demonstrations against resulted in the bitterness of national mind. In the 70’s the left powers of El Salvador were increasingly inclining to use the force, when democratic methods did not help. The main part of the activities of sabotage and “hit-and-run” attacks in the 70’s was carried by the several revolutionary leftist groups. In the leadership of these groups there was a constant discussion on the ways of combating: whether to use force or to agitate among people.

The leader of the communist party, Salvador Cayetano Carpio, stood for the violent methods and the introduction of the Vietnamese tactics of the long struggle against the governing regime. In the early 70’s Carpio left the Communist party and created the Farabundo Marti Liberation People's Forces (FPL) (Manwaring, and Prisk 39). The energy of Catholic clergy and the creation of the nation-wide organizations such as trade unions and peasant federations led to broadening of the base of the left forces and the creation of the conditions to seize the power.

A large number of converted to communism came from the universities. There was an external factor of the socialistic revolution in Cuba contributing to the strengthening of the tension on the governing regime. The latter in El Salvador was conservative and economically dropping behind. Moreover, most of its money means was received as a help from the United States (Murray 14). From the beginning of 1980’s there started an intensive integration of the “left” radicals. Already in 1980