The biggest continuous part of the Running Fence that remains intact is hanging below Rio Theater’s ceiling in Monte Rio. The Running Fence is perceived to be among the most significant projects as far as public arts are concerned, and at the time when it was installed, it was one of the most ambitious projects that were embarked on by Christo and Jeanne-Claude after they arrived in the US in 1964. When the art piece was made public at America’s bicentennial, it caught the imagination of the public as the exceptional beauty of the light as well as the weather that played across the fence’s fabric sharply contrasted with the issue of limitations and division that underlie the aspects that are usually conveyed by fences. In the case of Christo and Jeanne-Claude, the fence was an embodiment of bigger issues in regards to human freedom as well as a constraint. The manner in which the Running Fence was planned, designed and installed along with the critical response to the piece was a tone-setter for the rest of their bigger projects as none of them could have been conceivable without the Running Fence. Between 1972, when the idea of the Running Fence was initially conceived and 1976 the artists experienced apparent overwhelming difficulties and apart from negotiations of land rights with numerous ranchers, they had to deal with administrative obstacles at a time when they were not famous. The two artists had the ability to convince ordinary people of the transformative aspects associated with art.
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The essay "Running fence, created by Christo and Jeanne-Claude" analyzes Running fence, created by Christo and Jeanne-Claude which was a piece of art that was finished in September 1976. The two artists had the ability to convince ordinary people of the transformative aspects associated with art…
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