The paper "Review on Current Picasso Exhibit at the Museum of Modern Art" discover current Picasso's exhibit at MoMa. Many described Picasso’s two dimensional work as surprising and termed the three dimensional work of the artist as wielding. Comparing the artist with others, one could easily tell that he was concerned with the heart rather than the head. Picasso endeavored to erase the distinction between modernity and distinction. A resounding feature in most of his features. With the debut of his works at the MoMA, the public expected to observe some of the inerasable images in their minds. The main dailies and other publications namely the NYT, Wall Street Journal and the New Yorker among others used exclamations to describe the show with rapturous praise. The show comprised about one hundred and forty pieces constructed between 1902 and 1964. At the fourth floor of the MoMA, it would be surprising that the artistic pieces of a single individual dominated the whole area. In the first sight, a sense of surprise, applause, appreciation and worry would take its toll in an individual with little elements of disgust. It is understandable for the former attitudes described but for the latter, it is also a reality especially if one imagines the keenness to maintain and more so to all the exhibits. As described by the union of journalists throughout the city in one phrase, the show is dumbfolding. It is readily believable that the site reveals the outstanding nature of Picasso’s dexterity in his works.
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The paper gives a review on current Pablo Picasso's exhibit at the MoMA (Museum of Modern Art) in New York. With the continuous shearing forces between convention and modernity, Picasso endeavored to erase the distinction between modernity and distinction…
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