. Venus is described as being received with a purple cloak as she steps on the land. The beauty that Botticelli assigns to Venus sounds quite natural. These aspects depict naturalism. On the other hand, the flying wind-gods, the unnatural length of Venus' neck and her steep fall of the shoulders are elements of idealism. Gombrich observes that these features form a perfect harmonious pattern.
The painting reflects and represents the attitudes toward classical knowledge culture in that it does not only represent the conveyance of the meaning of a sacred story. The painting too avoided the mere aspect of displaying a gay of luxury and wealth. The Renaissance was an effort to capture the former glory of Rome. The painting, therefore, depicts the aspects of the classical knowledge and culture in that it represents the classical mythology that the highly admired Romans and Greeks were more than mere pretty fairy-tales and gay. Botticelli's transition to religious paintings reflects the story of the renaissance in that the religious paintings were meant to bring into existence the former glory of Rome and the Italians through art. The superiority of the wisdom of the ancients was depicted in the transition.