The essay "Graffiti and Abstract Expressionism" explores the art of graffiti and abstract expressionism. The first distinguishing feature relates to their abstractness, i.e. such paintings do not represent any form of occurrence in the visible world. The abstractness emanates from the fact that the paintings focus on free, spontaneous and specifically personal expression of prevailing emotional states. Additionally, the execution technique shows an over-emphasis of freedom exploits the more of the physical characteristics of paint in a bid to make the outcome expressive of indeterminable emotional qualities. Secondly, the paintings characteristically abandon the conventional structured composition of well-defined art. Instead, abstract art embrace a single, unified, undifferentiated image existing in an unstructured space. The artist thus extends his/her freedom to the use of space such that the resulting piece logically defeating except for the painter. Usually, the paintings fill the canvasses used, an aspect that gives them monumental effects and an engrossing power. After deviating from conventional art in preference of abstract art, Jackson Pollock determinedly moved away from the norm, often claiming being too much consumed in his work to an extent of being unaware of the undertaking, only allowing the result to explain itself. Kleiner notes that Pollock’s works presented a revolution not only in their abstractness, but also on the manner in which he handled the process.
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The focus of this essay is on graffiti and abstract expressionism. Abstract expressionism refers to an expansive movement. Abstract expressionism does not provide accurate description of the work created by the respective artist. …
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1 pages (250 words)Essay
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