Subsequently, Inception went on to win several significant awards, but most notably the Academy Awards. The film projects three principal themes; dreams, recursion and, suicide. Inception questions the wisdom of accessing too much information from a person’s subconscious.
The movie revolves around a thief, Cobb, who steals precious information from the minds of his targets. He does this by projecting into their respective subconscious and sourcing the essential information. It is during one such projection, Saito’s mind, that he is defeated in retrieving the required information, but ends up being hired for a job whose gains will see him able to return, safely, to his family. The picture expounds on the strain that was faced in the new task, Fischer’s subconscious.
Amidst all this, Cobb has to battle his emotions pertaining to his wife’s suicide, which disturbs and delays waylays him, within the target’s subconscious. Ultimately, Ariadne shoots Mal, thus, saving Cobb. The mission is successful, and the protagonist’s return to his family is made plausible. Very few movies have explored this unique theme of projecting into people’s dreams. The movie illustrates this process in a manner previously rarely seen. The main audience of this film happens to be adults. This arises from the fact that its themes and intricate details can only be fully grasped by adults.
Science can best be defined as a realistic speculation of future scientific and social advancements. This is realized via deep understanding of the scientific world. It requires a considerable amount of imagination and existence of the element of plausibility. It is imperative for Science fiction movies to be characterized by conflict, believability and excellent visual effects. Inception is characterized by all these three elements. The Dreams are a core theme throughout the entirety of the movie. It entails an intricate web of interconnected dreams. A dreamer is the individual in whose dream the action exists. Subsequently, each level of dreaming must have its own dreamer. Each dream must have its subject, who is the individual whose subconscious is the source of information. Unless something bizarre happens, the dreamer is usually unaware that he is dreaming. However, in the event the subject realizes he is dreaming, his projections are often violent towards the dreamer. To avoid such eventualities, the work of the architect is to make the world as real as humanly possible. In the dream world, when an individual committed suicide, it meant a safe passage to reality. This was often the avenue of choice for a majority of characters in the film when at wits end. However, in the Fischer mission, this avenue is unsafe as no guarantee exits on its safety and certainty. The team realizes that death, in that particular dream state, will usher them into limbo where one is prone to insanity. Throughout the entirety of the film, the protagonist is haunted by the first suicide in the films beginning. His wife, Mal committed suicide while attempting to return to her children in real life. She had believed that she was still in her dream while in fact she was in the actual world. The third prominent theme is that of recursion. This is evident in both conceptual and visual features. This is exemplified by a dreamer is dreaming a dream. This creates the concept of levels associated to levels. A dreamer first dream in the first level, then another dreamer inside the first dream initiates another dream. Thus, two dreams now exist, and events are now taking place in the second level: often, the inner stories inside the dream in a dream overwhelm the real world framing. These interconnected dreams are the core concept of the film. Recursion enables the individuals