This is seen in the fight between the couple, Lucius, and Cookie over the empire. It also portrays the common female concern of having a complete family so that the woman tries to forgive her husband despite his many atrocities toward her. As a long-playing drama, the film also deals with the issue of the use of the female as a material not only in the movie but in real life situations. For instance, in trying to get back to Lucius, his son, Hakeem develops a sexual relationship with his father’s former fiancée, Anika. In this scene, Lucius finds Hakeem and Anika in an intimate situation. Knowing that Lucius was there, looking at them, Anika pulls Hakeem who slowly turns his face from his father to Anika’s breasts. The scenes are shown in close-up shots, capturing the facial expressions of the characters and also letting the viewers focus on the sexual implications of the scenes. The aforementioned scenes bring Laura Mulvey’s theory of the Male Gaze to mind. The close-up shot on Anika does keep the male viewer’s focus on her as a sexual material and not just concentrate on what was going on in the story. The series also covers the issue of sexuality through the person of Jamal. Even during these days, homosexuality is still strongly opposed by many people regardless of race. Lucius was not happy about his son’s sexuality and this affected his treatment toward his son. Because of his health issues, the older man is forced to choose the next manager of his empire from his three sons.