From the research it is clear that early specimen of graphics manifested in the form of symbols, signs and writings on any surface. A myriad of graphic designs were developed through time applying different techniques to capture the attention of the admiring audience. It was not until the 1920s when a group of German psychologists namely: Max Wertheimer, Wolfgang Kohler and Kurt Koffka, devised a systematic approach in graphical design perception. They based their interpretation of graphical design on the notion of completion, where audiences sub-consciously view separately arranged entities as a single item.
According to the paper finding colors were incorporated into graphics. This was so because colors were able to convey emotions and moods unlike previous monotonous colors (black and white). From the latter events, it can be presumed that colors breathed life into graphics. Most people’s initial knowledge on color, seem to suggest that all colors are simple mixture of three primary colors; green, red and blue. The color theory vehemently disputes this notion. It is crucial to understand the basics of color formation so as to accurately utilize those (colors) in graphic design to imply various moods. The contentious issue of color formation dates back to the 15th century where a number of disciplines were used in explaining the concept, namely; chemistry, mathematics and physics. Not all yielded to viable conclusion.
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This essay presents some conceptualized graphics as a product of color while others believed, to be stemmed from perception. This gave rise to the Color Theory and Gestalt Principles. Similarly, motion pictures enthusiasts replicated diversions on artistic beliefs. …
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