One of Tooker’s most renowned painting, Government Bureau (1956) is a figurative portrayal of bureaucratic system: the viewer sees the depiction of a typical government office in the mid1950s’ America: walls painted light yellowish color, square pillars support the ceiling, pendant ball-shaped lamps, numerous desks arranged carefully in the office space with clerks peeping though the portholes in matte glass, and people waiting for their turn to be processed. As we look at the foreground, we see a man in a coat who is possibly waiting for his turn or observing the scene. It seems that he is the ‘newcomer’ who is a little confused by the arrangement of the office and numerous lines. However, as the glance shifts to the left, we identify another identical man standing farther. Then, looking at other people in the office, we see that all of them are identical: copies of men and women stand in queues or at the desks. On the other hand, clerks’s faces – or their fragments visible though the holes in matte glass – are identical, too. Moreover, they are holding their hands over the call buttons “ready to summon the next client” (McKiernan 140). While the clients’ faces are hidden from the viewer, wary faces and hands over the call buttons are all the viewer can see of the clerks’ figures.