The principles of documentary films and especially as exercised by early documentary filmmakers stand out as crucial distinguishers of these forms of films in comparison to the other representations (NICHOLS, 2003, p. 234). One of the major principles by Grieson includes the fact that the potential of cinemas in looking at life may be in a new art form. The original actor and scene are better than the fiction counterparts are and materials from the ‘raw’ are realer compared to the acted material. A documentary from the previous work of Grieson is therefore, the creative treatment of the actual world. It is also the representation of factual events but in a dramatic setting. A documentary stands out from the rest of other non-fictional films since it provides a well-defined opinion, has facts, and a specific message (NICHOLS, 2003, p. 235). The process of creating documentary projects is simply the documentary practice. It is a complex procedure done by people in order to explain the creative, ethical and conceptual problems arising from the process of making documentaries (Erik, 1993, p. 56). Observational Cinema, which is also Cinema Verite, refers to a style in the filmmaking of documentaries. It is a combination of the power of improvisation and use of a camera in the activity of unveiling the truth. Jean Rouch is the founder of this style and Robert Flaherty is the most popular user of the style in his films. It may involve interactions and set-ups between the filmmaker and the subject under surveillance to a point of provocation. The technique is widely used over the years like in 1963 where Pierre Perrault asked old people to fish for a whale and then filmed them. However, critics argue that this style of filming is a deceptive pseudo-natural formation of reality. Just as research shows of the two ways to present a cinema of the real, one is pretending of one’s ability to present reality and the second the ability to show the problem of reality. The same is true for of Cinema Verite with the first way being pretense of bringing forth the truth and posing of the problem of the truth (Erik, 1993, p. 58). It is true of what they say that making a film involves elimination of the non-essentials. In the film making industry and especially on documentary filmmaking, documentary mode is exceedingly crucial. This refers to a scheme developed by Bill Nicholas that distinguishes conventions and traits of the many documentary films. The styles applied in documentary filming differ in various ways depending on the purpose and the audience of the documentary. Early documentary filmmakers had a distinct way of representing their subjects on a distinct point of view, which led to their success and fame in the presenting their ideology and uncompromised truth as compared to other as the text will later discuss (Erik, 1993, p. 59). The History of Documentaries The history of documentaries is long and engrossing and various phases of its evolution are crucial in its study. Documentary filmmaking has seen a series of evolution stages dating back to the extreme historical time until the emergence of the most current and technological forms (Michael, 2003, p. 34). Before 1900 During this time in history the art of filmmaking was new and at its initial stages. The basic and commonly used style in this period was the single-shot moments that were exceedingly short in length. However, this was just
Cite this document
(“Documentary film represents its subjects from a distinct perspective Essay”, n.d.)
Retrieved from https://studentshare.net/visual-arts-film-studies/90073-documentary-film-represents-its-subjects-from-a
(Documentary Film Represents Its Subjects from a Distinct Perspective Essay)
“Documentary Film Represents Its Subjects from a Distinct Perspective Essay”, n.d. https://studentshare.net/visual-arts-film-studies/90073-documentary-film-represents-its-subjects-from-a.
Cited: 0 times
Point of view of early documentary filmmakers and implications might this have for the representation of others films Name Institution Course Date Introduction Documentary refers to non-fictional films. The word documentary traces its origin from John Grieson who was a Scottish documentarian in his famous review of the film Moana back in the year 1926…
A change in the text’s point of view can alter its entire meaning. An ironic commentary for instance can be mistaken for an uncritical observation if the irony is not marked. In “The Gift of the Magi”, the narration is in a third-person mode. The narrator is largely objective, recounting details of the Youngs’ life without too many subjective reactions.
This was made entirely evident as the airplane oftentimes shook and one wondered if the very nuts and bolts that held the jet together would unravel themselves and the very machine crash and fall to pieces over the ocean. The sounds of other passengers seemed to carry exceptionally well, as every unsettling conversation, complaint, and sick passenger could be heard.
It is the sight that particularly fills me with feelings of nostalgia. Whenever I stare at it surrounding, I happen to notice the trees beckoning me. As I walk, the leaves on the ground seem to produce the sound that welcomes me back, saying ‘long time no see!
There are various kinds of perceptions qualitative perception which is the perception of qualities that we attribute to objects, temporal perception the perception of time, auditory perception how people interpret and respond to sounds. The perception of an individual greatly influences the way he acts and responds to various outside stimuli and the way he puts forth his view to other individuals.(Morgan & King) This is very widely seen in the profession of writers and reporters as they have the power and platform to influence the public by what they say and how they say it.
Two Union soldiers would be on the bridge beside him. In the thick foliage by the bridge a cannon should be placed.
Farquhar should be shown in a thoughtful manner. The scene would fade into a discussion
As I walk, the leaves on the ground seem to produce the sound that welcomes me back, saying ‘long time!’ The few daffodils at the entrance smile at me. The leaves and the remaining trees, as well as everything in the
A clear description is given out by the narrator of Paulus and Thebedi education background, physical appearance, daily lives and much more of their lives. The narrator gives instances of their childhood
I was going home the first time after five years after starting my studies abroad. It was early September and mild humidity could be felt in the atmosphere as I reached the town which came across as a pleasant fact considering the sweltering