Citizen Kane and The Bicycle Thieves Deep Focus The cinematic techniques are exhibited from the beginning of the movie and at that instance; the camera focuses on one element that is, the ice cube on the old man’s hand. There is outstanding use of deep focus. In this case, the camera brings everything within the frame into focus without any discrimination. Through the focus, the viewers are capable of seeing everything in a definite manner and can describe every aspect. As determined after sometimes, the larger bright feature through which the audience views is a piece of snow held by Kane that eventually drops and scatters as the man dies. The deep focus as a facet is critical in highlighting the facts in the film and shows Kane’s individual isolation and failure of control. The camera utilizes the reverse angle as it attains entry into Kane’s bedroom. The snow on the screen exhibit critical symbolism (Fabe 206). The slow motion is also depicted as the glass ball rolls on the steps downwards. In the bicycle thieves, there is deep focus on many instances for instance on the bicycle when Antonio obtains the bicycle and is in position of starting the work. The camera focuses on different parts of the bicycle and the audience has full view of the bicycle. Again when Antonio realizes that the bicycle is stolen, the camera focuses on his face to depict the exact emotional reaction in him. Camera Movement There is camera movement as a technique is used in the beginning of the film. The camera moves through the corridors and finally through the window hence brining into focus the old man in the room holding the ice cube. The camera focus shifts to view on the old man’s head and through this the old man, Kane is observed quoting the word Rosebud. The word uttered eventually becomes the main point of concern as it determines the overall meaning of the film. At this instance, suspense is created among the viewers as everybody begins to question what the old man utters besides its meaning and relevance in the whole movie. The deep focus is also depicted at the end of the film, the camera pans showing a group of workers burning some of Kane’s belongings regarded as less valuable. There is a deep focus on the sled that Kane rode on the day the mother sent him away with the writing “Rosebud” on it (Fabe 144). The connection of this name with that mentioned at the beginning of the film, the significance of the word is determined. The camera moves along with Antonio on his attempts to obtain back his bicycle. The camera depicts different aspects of Antonio and every corner he reaches. The camera first moves throughout the street observing the items and in search of the bicycle in particular. The camera moves and there are zooms of the lens to capture different ranges through windows, doors, gates and alleys. The Long Take (long scenes without cuts) There are scenes that are shown fully without cuts. This technique bhas been applied nin accordance to the part of the story being told and its importance in the movie plot and the consequential building. Orson Welles incorporates story telling techniques and used in their most effective form to accomplish excellent credibility. The film employs effective flashbacks in telling the story about Kane through various characters who are old and have varying memory challenges to foster realism. There is visual symbolism through fence in the beginning, the camera moves and
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Name Professor Course Date Comparison/Contrast Paper: Citizen Kane (Orson Welles) and Bicycle Thieves (DeSica) Observed in consideration, mlore of modern cinema can appear to flow from identical fountainheads: Orson Welles’s Citizen Kane of 1941 and Vittorio De Sica’s Bicycle Thieves of 1948…
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