The south west was the protagonist’s home place responsible for discrimination, violence and racism. It was the place where the two drivers did not receive the best of treatments, experiencing attack and insults due to their long hair. The depictions of the African American poverty with the touch of modernity with the gas stations were later to indicate more to the story. The first terrain discussed above showed the nationalism that was being experienced already and the fight for those against it (Laderman, 179). Vagabond was the distinguishing film between the European and American road movie. It was the first depicting a woman on the road, the film does not put much emphasis on the drive but on the isolation, and lack of interest in being part of a home. Mona does not cross over borders or territories but rather circulates in the same place south of France. The camera shifts from Mona to other scenes such as the branches of trees alongside the road to create a feeling of what will happen in future. The non narrative escape from the road drifts induces coldness in the film. More attention is given to Mona’s body rather than the car she is travelling in. This is a major distinction between the European and American road movie. The sound techniques in the film are modern classic tracking the camera and only changes to focus on significant objects or sceneries (Laderman, 268). Stranger than paradise was an American Road movie was produced by Win Wenders when the activities of this genre were inactive. He established a film producing company named as Road movies. This particular film adopted a journey structure where the film characters taking a journey that stopped frequently by having long pauses in between the drive. The journey takes a therapeutic remedy. The first driving scene is staged with the camera being at the back of the seat of the car where Eddie and Willie are going to escape from the town. They are driving the windscreen is being used as a shield in which we can see them. They are travelling spectators and this is one of the techniques used in the film. There is nothing going around the film and the world outside, which gives the film the modern contours. It fuses morbidity and reflexity to give the driving theme the only thing in the film. There is little emotion being conveyed in the film since they are driving to a half-baked family union with Eva (Laderman, 149) Bandlands revolves around Holly and Kit as they drive along the band lands of American Midwest in a bid to escape a series on murders by Kit. The film uses a compelling tone to give it its intense strength and a gothic touch added with irony. The film is more of a self reflexive piece and not a geopolitical referencing. The film starts with a scene where kit is working as a garbage man alongside a slow moving track; this is used to shoe one of the reasons for the road film whose purpose is created by family, romance and economic hardship. Kit falls in love with Holly and they cannot make it official since Holly’s father would not approve of it due to the job kit is working on. He makes an effort of quitting his job and visiting the unemployment office only to end up working at a slaughter house. (Laderman, 128) The sound is just one of the techniques used to bring out the intensity of the film other techniques used by the film to relate the story include the landscape in its deeper sense. The first encounter of Kit and Holly’s father was in a vast landscape where he was painting a billboard which
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