The authenticity of the events as they have occurred in real life transports the audience to see what people had been subjected to during those dark times. “Die Falscher “or “The Counterfeiters” takes on a new light in the development of the historical construct that was the Nazi concentration camps by introducing divergent characters who are as real as they could possibly be. The reality of human nature as one faces moral problems is an inherent quality that we cannot escape, particularly if we are faced with choices under abnormal circumstances. “The Counterfeiters” brings a new perspective on the people that seem inconsequential but make the ultimate difference and how their choices bring about the consequences that may reasonably alter the course of history. Consequently, flooding the market with counterfeited bills of the enemy is a viable plot to sway the war, but this intangible notion of a mere possibility in the eyes of prison workers is secondary to the threat of imminent death. The film presents us inadvertently with an alternate scenario where the dollar was forged earlier and the Nazis could have stood a better chance of winning the entire war. “The Counterfeiters” shows us that the infamous concentration camps of World War II, just as fundamentally as history itself, are made up of people, people and their choices. As the introduction of Eleanor Roosevelt to the renowned book “Anne Frank: The Diary of a Young Girl” so eloquently puts it, “living in constant fear and isolation, imprisoned not only by the terrible outward circumstances of war but inwardly by themselves, made me intimately and shockingly aware of war's greatest evil--the degradation of the human spirit.” Though Anne Frank and the people in “The Counterfeiters” may have had different experiences, the fear and mortification runs parallel between them. The men chosen for ‘Operation Bernhand were handpicked because of their previous professions vital to the operations of a large-scale currency counterfeiting scheme confidential even to other high ranking SS officials. Central to the entire process is Salomon ‘Sally’ Sorowitsch, a world class counterfeiter living the high life in Berlin before he was caught by the Sturmbannfuhrer Friedrich Herzog. “Like most films about the Holocaust it is a survivor’s tale, and its protagonist, at least at first, seems long on guile and short on scruple” (Scott par.1). The triangle in his uniform represents the tag of a habitual criminal separating him from the other prisoners. Displaying his skills in cunning, Sally finds himself comfortable in the Mauthausen concentration camp by capitalizing on his artistic skills and painting for the Nazi officers. His transfer to the Sachsenhausen camp reunited him with Herzog who privies him to his new role in the forging of the British pound and then onwards to the American dollar. The pivotal dynamics of the story revolves around the struggle between the ideals of two men between Sally Sorowitsch and Adolf Burger. The two represent diverging ethos each with its own viable merit. The film is essentially a story of survival under dire circumstances and how a tactical plan by the Nazis could bring the war to an end. This is framed in the characters of the story and how the human ethical dilemma of choosing between one’
Cite this document
(“Consider the means by which history is portrayed in the German film Essay”, n.d.)
Retrieved from https://studentshare.net/visual-arts-film-studies/96255-consider-the-means-by-which-history-is-portrayed
(Consider the Means by Which History Is Portrayed in the German Film Essay)
“Consider the Means by Which History Is Portrayed in the German Film Essay”, n.d. https://studentshare.net/visual-arts-film-studies/96255-consider-the-means-by-which-history-is-portrayed.
Cited: 0 times
Title: Die Falscher (The Counterfeiters) Country: Austria/ Germany Director: Stefan Ruzowitzky Year: 2007 Running Time: 98 minutes Story: Based on the book by Adolf Burger Screenplay: Stefan Ruzowitzky Starring: Karl Markovics, August Diehl, Devid Striesow Award: Best Foreign Language Film in the 2008 Academy Awards Studio/Distributor: Magnolia Filmproduktion The atrocity of war is a theme greatly dealt with in films…
Through the course of the story there are different issues and elements that can be observed. One of the important elements of the movie is the introduction which presented a history of events related to the issue in the Middle East. After the discovery of the oil in 1933, the first company of Arabian and American oil, ARAMCO had been established in 1938.
However, during this time, it had not gained much prominence in the country and only few actors participated in it. Early experiments in German cinema by people like Ottomar Anschutz, John Isaacs, and Eadweard Mybridge sparked an early and great interest in the cinema potential in Germany. Invention of Bioscope, a double projector system, by Max Skladanowsky and his public presentation of pictures in Berlin Wintergarten in November 1, 1895 showed how great the potential of cinema was in Germany (Cook 207).
This is caused by memory lapse or impairment that causes extraordinary forgetfulness to an individual. The disorder is normally not caused by such things as substance abuse, other medical conditions, or seizures as it occurs due to brain problems only. Dissociative identity disorder (D.I.D) is known to have no distinct symptoms.
Films are usually classified based on the genre that they belong to and as a result this is deemed to be beneficial as well as a limiting factor when carrying out film analysis (Grant, 2003, p.84). A genre based approach is thus helpful to the targeted audience due to the fact that it gives them an overview of what to expect giving them the certainty that they will enjoy the film.
Government support for this sector is evident. Tax relief and incentive schemes encourage private companies to produce more films. The implemented tax relief for film production is absolutely vital to the health of the industry (Is There a British Film Industry).
These factors form the “difference” in the various films that may be studied. In this particular context, the term “difference” refers to the “other” stereotypes represented in the film. To get a clear understanding of
When people watch a film, they have the tendency of stepping into a world relating to plot, climax, and resolution. Nevertheless, in every movie or film, there seems to be various cultural nuances, which have the potentiality of repossessing the ability to shape the