In a reflective analysis of The Rover, it becomes lucid that the play incorporates several pertinent themes such as prostitution and rape which are treated with comic buffoonery. It is also evident that the play reflects Behn's strong the vulnerability of women during the Restoration period. A close reading of the text of the play also confirms that The Rover has been designed in a way to fascinate the popular interests of the Restoration society by placing the female characters in morally compromising situations. The popularity of the first part of the play which appeared on the stage in the year 1677 helped Behn in producing a second part in the year 1681 and the author was able to make a considerable income from it. Most significantly, a close reading and explication of The Rover with regard to the word choice, rhetorical function, imagery, symbolism, syntax, and figurative aspects of the play is essential in appreciating the great work by Aphra Behn and this paper intends to undertake a reflective analysis of these elements in the play. ...
urprise at all as there is something for everyone in it and the playwright has been able to incorporate the interests of the Restoration audience effectively. Marriage and courtship in the Restoration society has been a major theme of the play and the author makes use of symbolism and imagery to explain that the women in the seventeenth-century Europe was left with a few choices with regard to marriage and courtship. Significantly, the play which tells the story of Hellena and Florinda deals with the issues of women who were not able to set off relations with men as they were restricted in the social setting. In dealing with such significant themes as marriage and courtship, the author was greatly effective in employing a clear word choice. The main characters Hellena and Florinda make use of words which reflect the situations of women in the society. "Now you have provided yourself with a Man, you take no Care for poor me -- Prithee tell me, what dost thou see about me that is unfit for Love -- have not I a world of Youth a Humor gay a Beauty passable a Vigour desirable well shap'd clean limb'd sweet breath'd and Sense enough to know how all these ought to be employ'd to the best Advantage: yes, I do and will. Therefore lay aside your Hopes of my Fortune, by my being a Devotee, and tell me how you came acquainted with this Belvile; for I perceive you knew Him before he came to Naples." (Behn, 8-9) Therefore, Aphra Behn has been effective in the word choice which reflects the author's main social and political themes. There are also various instances where the character's dialogues reveal the author's concerns regarding the issues faced by women and the words used by Pedro, who encourages Florinda to follow their father's wishes, suggest the restrictions on women in
The English female dramatist Aphra Behn's (1640-1689), The Rover or The Banish'd Cavaliers, written in two parts, has been one of the most popular Restoration comedies and the play clearly reflects the author's political and literary concerns. First published and produced in 1677, The Rover has been realized as the most successful play by Aphra Behn who was a Royalist and the first English professional female writer…
A little secret; I don’t work out! My body is naturally built. Now that you have a general idea that I’m quite a giant, let me tell you were I live. I live in the Yellowstone National Park, with all my brothers and sisters. We enjoy life free from the danger of our species being extinct.
Aphra Behn was herself a marginal character. Her gender posed a great obstacle. (Owens & Goodman, 1996: 131). As her luck would have it, circumstances changed. 'It also seems to be the case that the changed moral climate of the Restoration brought about new social freedoms for some women, which we will look at more closely later.'(Owens & Goodman, 1996: 137).
But why Nowhere is it intimated that Oroonoko has any European parentage. It is therefore very important to discern the reason why Behn distinguished Oroonoko from his fellow Africans. Without fully grasping why Behn attaches such European characteristics to her hero the careless reader runs the risk of being left with the impression that the whole story is but a racist endeavor to assign to an African man attributes that inevitably raise the specter of assessing superior masculine looks from a Western point of view.
'The Rovers', the Cavaliers themselves, with the exception of Blunt, are penniless, which plays a significant part in how matters proceed. In the particular worlds portrayed, money helps to oil the wheels, though does not stand in isolation as a driving force.
Moreover, good armies are even more important than good laws, because 'it is impossible to have good laws if good arms are lacking', whereas 'if there are good arms there must also be good laws' (Machiavelli 42-3). The moral-put with a typical touch of exaggeration-is that a wise prince 'should have no other objective and no other concern' than 'war and its methods and practices' (Machiavelli 51-2).
In 'Hamlet', we are forced to consider in a new light the oldest prejudice against women: what is it that they do with their bodies, that, in men's eyes, is less than and antithetical to what men do with their minds' As Plato put it, men in their sexual relations with women produce babies, but in their sublimated relations with other men ("Platonic"), they produce philosophy.
The review begins with a clearly stated objective of exploring the main points of Pacheco’s essay and analysing its strengths and weaknesses; proceeds to describe Pacheco’s arguments and illustrations that suggest Behn’s hero as ‘Eurocentric’ and ‘royalist.’ A significant portion of the review is spent on summarising Pacheco’s viewpoints.
Reviewers of the novel have both praised and condemned the novel for its treatment of art and ethics, in turning a story of ethical depravity into an alluring narrative that justifies the moral decadence pervading the novel.
In his 2000 review of the novel, Lolita's Loose Ends: Nabokov and the Boundless Novel, James Tweedie presents the novel, despite its "salacious content", as a pure literary feat, claiming that the novel "begins with an immoderate conceit that allows its author and reader to explore the extravagant, pleasurable, and disturbing fringes of the language." [Tweedie, 1] Endorsing Nabakov's view of the novel as 'a love affair with English literature', the study reveals how Hum
Aphra Behn, the first female playwright in the English language who was able to support herself with her writing, has garnered this tribute from Virginia Woolf:
All women together ought to let flowers fall upon the tomb of Aphra Behn, which is, most scandalously but rather appropriately, in Westminster Abbey, for it was she who earned them the right to speak their minds.
The more important objectives of the Review of Literature are to find precedents that may be applied to the subject under discussion; to find theoretical precepts that coherently and satisfactorily analyse the subject that may be applied to the two organisations undertaking the merger process, formulating conclusions and suggest recommendations to make the processes work effectively.
18 pages (4500 words)Book Report/Review
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