Puck describes slapstick comedy to make fun of women. He wants to hide in disguise to eavesdrop and create gossip to make mischief. He wants to frighten female drinkers so that they will choke and spill their drink. He also wants to play foul and make a person fall down. In contrast, the play on Midsummer Night's Dream is about how magic does not forcefully pair up the intended couples but creates further complications through a series of unforeseen circumstances and unintended juxtapositions.
Theseus waits to be united in marriage to his engaged bride-to-be, Hippolyta. He personifies the moon and says that after their wedding, the moon will be a new one to them. He thinks the nights and the moon pass slowly until his wedding. He compares the moon in similes to an old dowager or chaperone who is hindering him to do what he desires. He thinks the moon intends to delay his wedding night by lingering and outlasting his patience.
4. In Act 1, Scene 2, the players discuss about a comedy being held soon. This play enclosed within the longer play is called a masque and it provides entertainment for the royalty present. The choice of light hearted names like Quince, Snug, Bottom, Flute, Snout and Starveling tell that this comedy relieves tension while preparing for the more serious complex plot. When the flower of love wrecks havoc by mixing the couples and making them fall in love in the wrong pairings, the plot gets too complicated for belief. The light hearted manner by which the play proceeds set the mood for the audience. It reassures the audience that all will end well in due time. The Fairies are not real entities and the audience is prepared to watch for a fairy tale ending whereby everything will get sorted out and all will have a happy ending. When mythical creatures like fairies and magic are used, there is belief that everything can be arranged to have a satisfactory ending and no serious harm can be inflicted.
5. The term, Bottom's Dream, appears in Act 4, Scene 1. The character Bottom means that the play will be about things that have no real meanings or that the meanings are so numerous that they cannot be defined. There is no limit or bottom to the quantities of meanings that can be derived and thus there is no getting to the bottom of it.
6. The performance of Pyramus and Thisbe is a success. In Act 5, Scene 1, Theseus says that no explanatory epilogue is necessary since the play is a great tragedy where all the characters die. Theseus says;
"No epilogue, I pray you; for your play needs no
excuse. Never excuse; for when the players are all
dead, there needs none to be blamed. Marry, if he
that writ it had played Pyramus and hanged himself
in Thisbe's garter, it would have been a fine
tragedy: and so it is, truly; and very notably
(Act 5, Scene 1).
7. Shakespeare uses monologue, soliloquy, prologue and epilogue to explain what is really happening in the play. These theatrical asides aid the audience in understanding the play. During the rehearsals, Bottom suggests using the prologue and epil