When we read poetry, it is not our mission to simply discover whether the poet’s ideas are new or old, neither is our mission to criticize one’s poetry if we have never written a single word in our whole lives. However, it is worth knowing something more about the period the…
nd for some historians and literature critics it has also a very strong negative connotation related to the period immediately after the World War I and the disappointment in the moral and ideological values that have been the basis of the Victorian Age during the rule of Queen Victoria. Historical events during the Victorian Age such as the adoption of the Reform Bill (1832), Chartism (1836-1848) and many others speak for the period itself and we should not waste time on history anyway. Literature in this period is the object of our interest. Needless to say, literature has been strongly influenced by all of those events and the bourgeois lifestyle and society in general. Among all literature genres poetry has been regarded the highest if we are to judge according to the respect it has enjoyed.
Alfred Tennyson (1809-1892) is considered “national treasure” for the British. His best works include “Poems by Two Brothers” (1827), “Poems Chiefly Lyrical” (1830), “Poems” (1832), “Poems” (1842), “In Memoriam” (1850), “Maud” (1855), “Idylls of the King” (1859), “Enoch Arden, and Other Poems” (1864), “Works” (so-called ‘Imperial Edition’ 1872), several plays (“Queen Mary”, “Harold” “The Falcon” and others), etc.
“Ulysses” (1842) is one of his best poems. It is a pure monologue in blank verse, more compact in its composition than the rest of his poems, using strong, core and “sober” language, whose richness is beyond any critic. To clarify the meaning of monologue as a poetic form we have to give its definition and say that it is a speech in verse or prose uttered by one speaker as a part of a larger work or as an independent work in itself, and blank verse means unrhymed lines of iambic pentameter often used in long poems and dramatic verse, with a very flexible form and well adaptable to monologues like “Ulysses” (Myers, Jack, & Simms, Michael, “The Longman Dictionary of Poetic Terms”, 1989, p.33). ...
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