has long escaped from it, being more disposed to unconventional living where he is caught between schizophrenia and the will which Lopez desperately helps him with for the revival of his exceptional talent and passion for music. The story identifies the premise in the musician’s yielding to profess virtuosity at the time the effect, unconsciously leads him beyond norm. Accordingly thus, his schizophrenic behavior necessarily reflects significant disturbance in the manner he wanders about with his instrument and in an odious external, deed and talking which no real person with common logic seeks to afford.
A mentally disordered individual in Nathaniel’s case, may be found to exhibit symptoms such as delusions, hallucinations, disorganized speech, and grossly disorganized behavior (DSM Criteria). The film gives evidence to the fourth sign showing Ayers to have a rather crudely embellished outfit, that strikes an abiding impression as both bizarre and beaten up like his wagon of improvised percussions awkwardly set up. Characterized by unwieldy facial gestures, some repressed desire manifests through his overall countenance. Visual hallucinations have had recurrences in his childhood, the varying instances of which have one element in common. At the early stage of his deepening struggle, Nathaniel sees a rolling cart of fire by the window when he was by himself playing cello one evening. Likewise, when Steve sends him over to watch a classical concerto, he perceives flashes of colorful lights in the middle of raptures, having transported the symphonies to his full attention, earning remembrance of his fondness for Beethoven. The time he gets the chance to perform with a live audience however, just when he’s about to hit the bow on string, a brilliant light passing the slits of the upper deck collides his eyes. It comes too bright to blind a sight away from the rest that subsequently makes him recollect an act of rudeness toward his sister, a scene at daybreak