Being artistic means experiencing change: there is no such thing as stasis in the lives or works of those who conceived and created the body of European art from the Renaissance to the present. With Jacques Louis David, French painter (1748-1825), however, change meant much more…
To know a few details from this artist’s life is to understand some of his choices. Jacques Louis David’s life was filled with underlying turmoil from the early years. Losing his father in a duel, and gaining two stern uncles to fulfil the vital paternal role while very young, made indelible marks. The uncles thought he should be an architect or building contractor, since it was the way they made their living. In spite of being perfectly capable of the required draftsmanship, David had other ideas2.
He was obsessed with drawing. He wanted to paint. The family had expectations of the young David that did not include painting as a career, although his fixation with drawing showed everyone very soon that his talents should not go to waste. He filled sketchbook after sketchbook with drawings3, with the kind of dedication that was impossible to ignore. Both uncles finally accepted his ability to make choices and persuaded his mother, who had left him to be brought up by them, and a teacher was sought: but not too far afield. Boucher, a relative, taught art, but soon, when he saw the style David wanted to paint, and their difference in personalities, he decided his neighbour and artist friend Joseph-Marie Vien would be a better candidate as a tutor for the young David. This change is one that would mark the artist’s preferences for some time4.
A facial disfigurement marred David’s dealings with people. Because it affected his speech, he tended to prefer solitary activities, but made an effort to resist isolation, reminded of his schooldays, when he often crouched behind the teacher’s dais at school5.
Being a young man with personal issues when the ancien régime, or Old Order, was winding down, towards the end of the 18th century, meant that experiencing changes in the morals and society in general became personal. David happened to be ...
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This paper focuses on the social and cultural influences evident in the work of neoclassical artist. It involves the detailed analysis on the four works of Jacques Louis David, a known neoclassical artist during his time. He used his paintings to educate and inform the masses of what really happened during the French revolution.
The French revolution of 1979 happened between 1787 and 1799, reaching the climax in 1789. This period was characterized by radical political and social upheavals. This was propelled by the American Revolutionary War, especially the ineptitude acts of King Louis XVI that enhanced frustrations among the French people.
The revolution followed hot on the heels of the American Revolution that had preceded a decade earlier and changed the political and social dimension of Europe irreversibly. Various problems led to the revolution, however, the strict class system that placed the clergy and nobility among ordinary French citizens gets pinned down as the most decisive problem (Tackett 26).
French Revolution during 18th century is event that shook France between 1787 and 1799 which took its violent form when the Controller General of Finances, Charles-Alexandre de Calonne proposed to design the reform to eliminate budget deficit by increasing the taxation of privileged classes by summoning the assembly by ‘notables’ like prelates.
Jean Paul Marat (1743-1793) who was a politician and a journalist but most significantly he was leader of Montagnard movement (in French mountain man) who were radical Jacobin deputies during French revolution and instituted the reign of terror during French Revolution.
Where the French Revolution changed the political map of Europe forever, it brought the people to the forefront of politics and set the precedence for bringing about social and political change through revolution. The old order in France was the absolutist monarchy of the Bourbons led at the time of the evolution by Louise XVI but supported by the nobility and the clergy.
But his definitive work is the painting ‘Death of Marat’ that features the propagandist assassinated in his bath. This painting ultimately led to fuel the fire of the hunger of the people and justifies a new government.
Jean-Paul Marat is
The financial crisis and growing deficit rose to the unbearable level of the cost participation of French in the American Revolutionary war arising from making the traditional opposition bolder. Intense changes in public opinion demanded elimination of privileges that divided the country into two groups with different interests in the society.
2 Pages(500 words)Essay
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