This is required to understand the comparison between the art forms and the artists. If we see the period of modern art it started taking form post the Second World War. Te war changed entire equations in every perspective world over. It was as good as a period of creation post destruction. Hence defying the set rules of art comes as the first logical step. Abstract expressionism evolved through this theory. An object is for everyone to see. What an artist perceives beyond the form is what makes viewing the object in a different light. Another view is to perceive the object through the art that is expressed. In such case keeping the art abstract comes in as natural
Abstract expressionism hence does not recognize any form, any shape, any definite layout. It believes in the beauty of the material in its original form. This is a very vibrant concept. Recognizing that the material does not have a form is fine but to be able to see the beauty in its original form is another thing altogether. In Gutai art, Yoshihara clearly states that the material in its original form tries to communicate to us. When an artist transforms it, he imposes his thought process on the material. Hence the material loses its own beauty, value and nature. Gutai manifesto also states that the spirit of the material used and the human spirit connect to each other whenever they are in the original form. Now if we try and understand this concept, we realize that Yoshihara doesn’t want to go beyond the framework laid down by the nature. He sees beauty in its original form and hence these artists were able to see the beauty in the ruins and the destruction as well. They have quoted that even the decay is beautiful in the nature. This is off course a very liberating thought and a different viewpoint of looking at the beauty that is surrounding us. Hence the texture, the grain, the originality of the material is in itself conveying something through its own coarse ...
Cite this document
(“Art History (Art history from 1945 to the present) Research Paper”, n.d.)
Retrieved from https://studentshare.net/miscellaneous/390535-art-history-art-history-from-1945-to-the-present
(Art History (Art History from 1945 to the Present) Research Paper)
“Art History (Art History from 1945 to the Present) Research Paper”, n.d. https://studentshare.net/miscellaneous/390535-art-history-art-history-from-1945-to-the-present.
Indians make offerings to these sculptures and treat them with utmost respect. Every sculpture has a distinct style and these styles differ from region to region and have changed over the years. Every posture, expression, ornamentation and gesture of the Indian sculptures is symbolic and represents either a quality or depicts a scene from the ancient tales.
The humans are socializing on the internet and therefore, the true feel and essence of interpersonal interaction has been recently lost. The romantic relations have transformed into a filthy practice of exchanging bodily needs and fluids. The only thing and notion that seems to be growing and strengthening in human civilization is called economic rationality.
Despite the popularity of art that enabled artists such as Leyster and Millet to depict realism and symbolism, today’s painting does not enjoy such identity because of various constrains that include consciousness and financial capability on the part of individuals.
This was true as the countries of the East, also called Orient, had massive resources just waiting to be explored. It is no doubt that the West, in their own twisted way, saw this as some kind of calling to go and ‘liberate’ the East. Orientalism is a political doctrine willed over the Orient because the Orient was weaker than the West which elided the Orient’s difference with its weakness (Edward Said).
However, the participation of women in domestic activities helped them to have an influence in economic and political structures. In the home setup, they acted as counselors and hence managed to influence their husband’s
The Impressionists survived the years of despair, poverty and deprivation. They bravely fought for the opportunity to paint the world as they beheld it. It took many decades for the majority to comprehend and absorb the aesthetic