Adolf Loos, born in Czech Republic, 1870, is undoubtedly one of the most important figures in the development of modern architecture, who believed in theories that related architecture to utilitarianism rather than art, changing the conception of beauty and meaning of…
nt roles in the transformation of the conception of art and architecture, the dawning of a new age in styles and composition, making a mark in the discipline of architecture.
In this paper, we will discuss and compare the similarities in the theories of Loos exhibited in “Ornament and life” to that of Le Corbusier’s “Towards a New Architecture”. We will discuss in specific, the most influential theory presented by Le Corbusier, in “eyes which do not see” in comparison to Adolf Loos’ “Ornament and Crime”, both relating to the need to emphasize the role of purpose or utility of an architectural structure and the absence of ornaments. The interesting aspect of the comparison between Loos and Corbusier lies in the two common vies they shared. On the one hand, the work of both is concerned with the autonomy of architectural means; on the other, both try, each in his own way, to place his work in a context, something which each makes particularly clear in his writing. (Risselada, Loos and Beek, 1).
In Corbusier’s reading of “eyes which do not see”, he begins with explaining the need to see the connection between architecture and the new machine age, implying that architecture must focus not on art but on needs and functionality. He explains this aspect by comparing the evolution of architecture to the evolution of a car. In the beginning, the sole purpose was transportation, later began to give importance to durability, resistance and such. Further, they went on to incorporate luxury and style on having attained the basic necessity. With the lapse of time, appearance and luxury began to delude people and the main aspects were given less importance, as if resistance and durability were aspects that were to be sidelined. He believes that architecture has taken that direction, competing in beauty and magnificence, while failing to address purpose. This may be easily compared to the view of Adolf Loos in “Ornament and Crime”, where he ...
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Therefore, it is imperative that architecture is a multi faceted profession that essentially requires input from many fields. The relationship between architecture and music is one of a perfect fit. Architecture strives to create a memorable and striking design of space in a given time.
Many architects work with this concept in mind and it becomes a driving force of their work. One such architect is Santiago Calatrava, who blends art and architecture to such a dramatic extent that it becomes difficult to determine where art leaves off and architecture begins.
Through the use and application of the principles and elements of design, the concept might be achieved. In architecture, for example, there may be several additions to a structure that promote its general outlook. The appearance of a building is heightened, and the desire to want to occupy the premise may increase when ornaments are applied.
The buildings take up the asymmetrical form with a podium on columns design. Before ideas of buildings like the “Villa Savoye” came into the view of the public, most buildings were not detailed or even enthralling. Buildings were simple and at some point they could be described as bland, with the idea of “Le Courbusier” buildings started being marvelous structure to watch.
An ornament is basically a decoration that is applied to a part or parts of an objet or building so as to embellish it. Architectural ornaments may be made of such materials as formed clay or plaster, precious metals, stone, or wood. The ornaments may be impressed onto the surface of an object or the object may be painted altogether.
He believed in the natural growth of the environment and the adaptation of architectures to the environment. The use of architectural style does not matter as long as it does not follow the laws of nature. Wright emphasizes on allowing architecture to blend in naturally into the environment to avoid conflicts between the architectural designs and the environment.
In his 30s, he moved his base to France where he changed his name to Le Corbusier.
During the five decades of his practising architecture and building design, he travelled around the world giving solutions to housing problems and urban congestion. His marvels can be seen all over central Europe, India, Russia, and North and South America.
His writing as well as the architectural styles have widely acclaimed despite his physical ailment, hearing –impairment, all through his life. Loos’ constructional style was well approbated that his buildings were noted with prefect interior designs and
The palatial elevations of many beautiful places across Europe speak so much of Adolf Loos. Many of the buildings constructed even before the First World War borrowed heavily from the designs of Adolf Loos. Apparently, nobody knew that these architectural designs will
The conclusion from this study states that Le Corbusier’s ideas have remained fundamental in the design and planning of modern urban centers. The designs of airports throughout the world have adopted a similar technology in a bid to improve the convenience of the facilities and the need to improve their security as well.
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