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what Marx has said about History in his book The holy family, or Critique of critical criticism (1844), Generic thinks it should be understood that “cinema doesnt make itself, cinema isnt made for itself, cinema is made by and for us. Films relation to the mass becomes a question of how to understand its situation as a medium capable of reaching many millions of people, potentially disparate in place and time.” (Generic. 2006). In today’s world, cinema is still one of the most influential medium to reach a large mass of people across the world. All the social, political, cultural and ideological issues which have, or could have created raves in the history of human beings are dealt from a common or unusual perspective in cinema. A section of people use this medium to express their ideas and beliefs on a particular topic which sometimes collide with the established school of thoughts, and sometimes greatly accepted. The underlying discussion on the above-mentioned book focuses specifically on the aspect of feminism in line with the perceptions of Karl Marx and Louis Althusser.
Marx’s ideology of history being the struggle between classes is also applicable in the history of feminism. Women as a dominated class have struggled for identity and existence against the male class. They have fought for their freedom from patriarchal control, for their rights and privileges as independent human beings. Women have evolved through slavery to primitive communism- a term supposed to have introduced by Marx to indicate rights of an individual to basic resources and freedom from authoritarian rule and hierarchical social structure. The Marxist theory of feminism
focuses on shattering of capitalism in order to emancipate women. The capitalist society, which largely values personal assets to demarcate the social position of an individual, is at the base of women’s oppression, according to Marxist feminism. Marx and Engel analyses that if the capitalist society, which ...
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In Let the Right One In, Oskar and Eli’s austere whitewashed school and formulaic apartment community surrounded by snowy forests enhance their minimalist clothing and meditative, yearning Swedish. Yet, as both film protagonists, Amelie and Oskar, navigate their labyrinthine worlds, their character evolutions track similar journeys from lonely, fantasizing introvert to a person who initially connects with another person though riddles and codes later to become deeply connected with the other person.
The Amistad event was a significant milestone in the progress of the abolitionist movement. Amistad introduces the horrors of the disruptive nature of the slave trade and slavery. This paper will provide a brief history of the institution of slavery in North America before 1865, discussing the depiction of slavery through film.
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g an examination of his life, his work and his own words which show that his view of the city is positive to say the least and often glorifies the idea of being in the city.
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All these great men influenced me to a great deal and it was no wonder that during my high school years I had settled for courses that would allow me to be admitted in one of the best engineering schools in the world.
In addition, I
A long story could conceivably take exactly two hours to tell on film. To do this, a filmmaker is required to carve up the action into discrete shots and re-assemble them coherently to hold the audience’s visual interest. The simplest transition is the cut. A director films a shot (the basic unit of filmmaking) and has it developed.
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