Conjunto Musics Power - Essay Example

The Tejano special class of music established its roots in the early 19th century. However, Tejano music managed to become a string music genre in the late 20th century when its popularity substantially increased worldwide. There are many factors that collectively led to the homogeneity of Tejanos in the early part of the 20th century. Musicians such as Selena, Mazz, Elida, and Los Palominos were at the forefront of developing this special music genre during the early 20th century.

There was a massive migration of Europeans, mostly from Germany, Spain, Poland, and the present-day Czech Republic to Mexico and Texas. These European migrants brought with them a new style of dance and music to the community living in Texas and Mexico. This event had a greater influence on the upcoming and development of the Tejano music genre. This migration resulted in the emergence of a special music genre that was later identified as the Tejano, which is a cross-cultural mix of several traditional European music styles.

Although this migration played a great role, it was not until the Mexican revolution that the Tejano music genre was fully developed. The Mexican Revolution took place during the early 1900s and forced many European migrants into south Texas, where their musical influence had a great impact especially on the development of the Tejano genre. In south Texas, the Tejano was music genre was mostly used by people involved in agriculture and ranching. There were occasionally traveling musicians who would come to the farms and ranches to play their music. They were using basic musical instruments such as guitar, flute, and drum to entertain their guest.

As these traveling musicians were traversing the areas occupied by Poles, Germans, and Czechs, they began to incorporate the native sounds into their music. This resulted in an upcoming new form of music that later established itself as a strong music genre in the early 20th century. Thus, the Tejano music genre evolved as a blend of various traditional European forms of music such as mariachi, corrido, Conjunto, Mexican cumbia, Pop, Ranchera, Rock, R&B, and polka amongst others that were introduced to Czech and German settlers in south Texas during the late 19th century (Peña, 2010).

There could be many possible reasons why Peña describes Texas-Mexican women as “not an insignificant segment in determining the class composition of the society.” First, these women played little role in influencing society trends and cultural practices. They were considered to be voiceless during this time in history. Major roles were being done by men. Besides, they were not overly concerned with trends, fashions, and styles. Secondly, a large section of Texas-Mexican women in the 1950s was in the sales and caracal job categories where they had little influence.