Musical Theatre - Literature review Example

MUSICAL THEATRE. by Student’s name Code+ course name Professor’s name University name City, State Date MUSICAL THEATRE. Introduction. To understand the term Popular Music will be a fundamental necessity for the discussion of its impact on the musical theatres. Popular music refers to as the global multi-disciplinary periodical table entailing almost every feature of the topic (Sudhalter & Richard 1999). These aspects of the subject cover information from the creation of social class identities through the popular music, up to the international music industry. The acceptance of the music by the world is influential on the improvement and expansion of the music industry especially the musical theatres. Popular music involves every kind of international music such as rai, rock and jazz regardless of the historical period or the geographical positions. Popular Music conveys articles by academics from an outsized multiplicity of chastisements and hypothetical perspectives. In the every issue, there some very considerable, influential and powerful constituents articles, which enlarge the development of the musical theatres. When we talk of Musical theatre we simply mean the system of dramaturgical performance that amalgamate aspects such as songs, interim, vocalized discourse, as well as rave. The performance is effectual to the landing and responsive composition of the musical comicalness, anguish, love and anger by oral communication of words through music entertainment. Initially, music was one of the dramatic presentations but with the emergence of contemporary Western musical theatre, various structural rudiments were introduced by Gilbert and Sullivan works. The music in musical theatre has influenced the introduction of artistic formulations and frothy entertainments such as Of Thee I Sing (1931) and Show Boat (1927) respectively. This essay is based on creating a survey of the path followed by the musical theatre regarding the popular music. For instance, these musical theatres are discussed on the round table which was organized in the Salzburg back 1965 by such bodies as Unesco, the International Music Council and the International Music Centre. During such gatherings, ingenious and informational entertainers such as originators, choreographers and stylists; instrumentalists and danseuses come together thus causing an impact on the media opera, pantomime and ballet performers (Sudhalter & Richard 1999). The essay will be majorly covering the influences that the popular music has towards the musical theatres. Over the past 200 years, music has been growing into popularity, its performance and presentation became much entertaining among the common people. Musical theatres were eventually configured into the system as a result. Among the German-speaking nations, musical theatre has become one of the most sophisticated public amenities over the past two decades. Popular music among the German produce a standardized opera that put great emphasis on theatrical and dramatic phases. This means that it can work thus eschewing the conventional form of musical of aria, collaborative, refrain, etc., which are always favoring dramatic and theatrical continuity. One of the earliest music is book musical which was much popular in 20th century (Jennifer 2005). This kind of musical play integrates both songs and dances to create a very sophisticated and well-made tier. The program involved a complex series accompanied with solemn histrionic targets that had conjured unpretentious emotions instead of laughter. The popular music such as jazz, Hip hop and rock has greatly affected the musical theatres into autonomous system. The influence has with time developed into poetic statute and alternatively interchanging with the style information flow and liturgical mantras (Jennifer 2005). Effects of Music on Musical Theatre in World Wars. During the first and the second world wars, theatricals were the most popular entertaining par excellence in the society (Platt, Becker & Linton 2014).  This was not known not until the 1st World War, when it was realized and later reviewed to the public through a gathering. Now, the musical idiom achieved a very crucial importance in the theatrical development as well as the decorative features. Musical theatre and platforms were a sought after the public and therefore it development was indispensable. The ballet for instance, was viewed as a mandatory despite the fact that music can point black reckon for an auxiliary and speedier advancements of the musical theatres. The American musical established firmly mainly during the world wars and between 1950 and 1960. The development was influenced by the theater composers and rhymesters such as Richard Rodgers, Frank Loesser and Allan Jay Lerner. The efforts of such individuals reinforced the popularity and the continuity of the musical theatre up to date hence reflecting the changing of the socio-cultural dispositions of the natives and the states. The musical theatre has influenced the complexity of the characters and advancement of the freshly sophisticated narratives. During the 1st world war, popular music was the major factor and the system of the entertainment thus was much influential towards the creation and advancement of the musical theatres (Platt, Becker & Linton 2014).  Popular musical theatres are the drawn as multinational as well as considered as majorly cosmopolitan industry which comprised a range from revues to operettas in either dance halls or cabaret. The popular music has too influenced the coming together of the war contributors from Britain and Germany. The integrated union goes far and wide the national theatre reputations therefore aiding the study of the Anglo-German associations especially during the instances of war, rivalry and hostility too. Platt, Becker & Linton (2014), the framework of the war entertainment was basically the cultural transfer whereby the trans-Atlantic music and performance created, perchance and for the first time, a sincere global musical theatre culture. By taking into considerations the practicability and the translations of the works which are influenced by the political hoopla, the popular music has been influential to the persons who are interested in not only the musical theatre but also those who are enthusiastic in diverse recommendation of the modernism. Cultural influence on musical theatres. Socio-cultural effectors such as Savoy performances have heavily prejudiced the progression strategy that consequently caused the establishment and improvement of modern musical theatres. Apart from musical theatres, the popular music has too influenced the neo-political, collected works, television films and advertisement. The effectiveness of it is determined and caricatured by impressionists. Mostly, jazz music as one of the popular music influence the film production such that it is used as background music in various movies and TV shows. Popular music has a crucial responsibility to welcome modern forms of manifestation thus creating a works that does not agree with the conventional systems and placing people who are ready for transformation of the theatrical institutions. Music has also created the room for the people to adapt the workability of the new technology of the music theatres stage performances. For example, when people from different background and originality converge in a theatre hall to listen to the newly created dance, song or opera, it eventually influences a convectional spectacle unlike during the time of our grandparents. Ennis & Phillip (1992), among the young generations, there is unease feeling especially when these young people are faced with spectacular challenges of antiquating, which are useless and with dead weight. Consequently, there was an obligatory duty to ensure the steadfastness of the young people audience through the participation and lively performance. As a result, the popular music such as the hip-hop became the heat on the generation. This kind of the music fundamentally spearheaded the formation of the musical theatres. Music has no age and therefore, they are beyond passing taste, fashion and crave. Music drama is a literature genre which performs music alive in today’s era and it works correspondently with the past centuries. Now with the popularity of the music among the people, new and most modern technique of performance emerged (Ennis & Phillip 1992).  Music is pentagonal to the musical theatres in various platforms. Music was the most foremost element in musical theatre in which its spread clipped together. Music ensured that there is maximum utilization of the faculty in order to conjure up the sentiments and motion during the theatre performance. The components of the theatre include the stage arrangements, the acting and the performance. Correspondently, music plays the same role since is not different from the role of the text too. For the music to be successful, it has to fulfill the stage-setting, the performance, as well as any other possible component that constitutes a theatre. In other words, we can say that music is a supplement for musical theatre. Music influences the transfer of trustworthy and unsullied exemplifications of life and particularly gives possible solution suggestions to diverse problems. Music cannot achieve these obligatory demands for its own, so instead, it is supplemented with musical theatre. Without the two merging together to form a cog of the theatrical work, the objectives could not be well expressed in the music therefore no realizations of the musical theatre performance. Theatre music is one of the popular music which is composed in order to oversee, heighten, and give support to the theatrical conception. The American Musical. The American musical theatre is basically rooted in rib-tickling opera, musical hall, burlesque, operetta, stage show and laughing context (Merwe, 2004). For instance, the first and the eldest American musical, The Black Crook, which was initiated in New York City in the year 1886, majorly influenced the enthusiastic reviews and a smart commercial run. The Impact determined the fate for the melodrama, amorousness, clowning, specialty acts and eventually the outstanding picturesque effects of the musical theatre. The Black Crook Musical Theatre is the fundamental prototype architecting the American Musical. According to Jennifer Nicole (2005), American music such as blues has a tremendous impact on other types of the popular music. Blues style of music, forms e.g the 12-bar blues, its melody and the blue scale has greatly influenced the other music genre like rock, jazz and roll (Merwe, 2004). The most American prominent folk and rock performers such as Louis Armstrong and Duke Ellington own significantly large numbers of blue music records. The blue scale for instance, is used mainly popular songs such as blues in the night making it ubiquitous. In 1940s, the blues marked a great thriving shift from popular style music into dancing styles. The change promoted high-art cerebral musicians music (Ennis & Phillip 1992).  The audience became for and more thus the construction of the musical theatres. America artists have distinctive styles on how they perform the popular music in the American Music Industry. There are series of development especially in the new form of American music, particularly in blues and other of the American folk music genres. In the early 1960s, and late 1970s, there were significant alterations made in the American popular music which include the introduction of new styles such as souls and hip hops. These styles during the performance involve the folk dancing and the body movements to emphasis the mood. The American music has fundamentally influenced the current musical theatre globally (Mordden 2013). Conclusion. Philip one of the musicologist and specialist in the popular music sector has categorized music basing on both the socio-cultural as well as the economic criteria. Popular music as opposed to art music is comprehended for physique distribution socio-culturally dissimilar groups of listeners. Although music was recently been the part and parcel of dramatic presentation, there are some few modernism with the introduction of the western musical theatre in the early 19th century (Ennis & Phillip 1992).  The performance of the music is much fundamental therefore should be taken with a lot of seriousness. Music is everywhere in the world, either in large venues or smaller ones. The performance of the music is global and in large venues like big-budget Broadway in New York City and alternatively they are performed in smaller venues such as fringe theatre productions or on tour. Reference List. Ennis, Phillip H. (1992). The Seventh Stream: The Emergence of Rocknroll in American Popular Music. Wesleyan University Press Jennifer Nicole (2005-08-15). “The Blues: The Revolution of Music”. Retrieved 2008-08-17: http://www.bbkingmuseum.org/Websites/bbkm/images/Blues_Impact.pdf Merwe, P. (2004). Roots of the classical: the popular origins of western music. Oxford New York: Oxford University Press. Mordden, E. (2013). Anything goes : a history of American musical theatre. New York: Oxford University Press. Platt, L., Becker, T. & Linton, D. (2014). Popular musical theatre in London and Berlin, 1890 to 1939. Cambridge New York: Cambridge University Press. Scheurer, Timothy E. (ed) (1990). American Popular Music: Readings from the Popular Press: The Nineteenth Century and Tin Pan Alley. Bowling Green State University Popular Press. Sudhalter, Richard M. (1999). Lost Chords: White Musicians and Their Contribution to Jazz. Oxford University Press Vautier, Dominic (2000). Sex, Music & Bloomers: A Social History of American Popular Music. Abelard Press. Read More

The essay will be majorly covering the influences that the popular music has towards the musical theatres. Over the past 200 years, music has been growing into popularity, its performance and presentation became much entertaining among the common people. Musical theatres were eventually configured into the system as a result. Among the German-speaking nations, musical theatre has become one of the most sophisticated public amenities over the past two decades. Popular music among the German produce a standardized opera that put great emphasis on theatrical and dramatic phases.

This means that it can work thus eschewing the conventional form of musical of aria, collaborative, refrain, etc., which are always favoring dramatic and theatrical continuity. One of the earliest music is book musical which was much popular in 20th century (Jennifer 2005). This kind of musical play integrates both songs and dances to create a very sophisticated and well-made tier. The program involved a complex series accompanied with solemn histrionic targets that had conjured unpretentious emotions instead of laughter.

The popular music such as jazz, Hip hop and rock has greatly affected the musical theatres into autonomous system. The influence has with time developed into poetic statute and alternatively interchanging with the style information flow and liturgical mantras (Jennifer 2005). Effects of Music on Musical Theatre in World Wars. During the first and the second world wars, theatricals were the most popular entertaining par excellence in the society (Platt, Becker & Linton 2014).  This was not known not until the 1st World War, when it was realized and later reviewed to the public through a gathering.

Now, the musical idiom achieved a very crucial importance in the theatrical development as well as the decorative features. Musical theatre and platforms were a sought after the public and therefore it development was indispensable. The ballet for instance, was viewed as a mandatory despite the fact that music can point black reckon for an auxiliary and speedier advancements of the musical theatres. The American musical established firmly mainly during the world wars and between 1950 and 1960.

The development was influenced by the theater composers and rhymesters such as Richard Rodgers, Frank Loesser and Allan Jay Lerner. The efforts of such individuals reinforced the popularity and the continuity of the musical theatre up to date hence reflecting the changing of the socio-cultural dispositions of the natives and the states. The musical theatre has influenced the complexity of the characters and advancement of the freshly sophisticated narratives. During the 1st world war, popular music was the major factor and the system of the entertainment thus was much influential towards the creation and advancement of the musical theatres (Platt, Becker & Linton 2014).

  Popular musical theatres are the drawn as multinational as well as considered as majorly cosmopolitan industry which comprised a range from revues to operettas in either dance halls or cabaret. The popular music has too influenced the coming together of the war contributors from Britain and Germany. The integrated union goes far and wide the national theatre reputations therefore aiding the study of the Anglo-German associations especially during the instances of war, rivalry and hostility too.

Platt, Becker & Linton (2014), the framework of the war entertainment was basically the cultural transfer whereby the trans-Atlantic music and performance created, perchance and for the first time, a sincere global musical theatre culture. By taking into considerations the practicability and the translations of the works which are influenced by the political hoopla, the popular music has been influential to the persons who are interested in not only the musical theatre but also those who are enthusiastic in diverse recommendation of the modernism.

Cultural influence on musical theatres. Socio-cultural effectors such as Savoy performances have heavily prejudiced the progression strategy that consequently caused the establishment and improvement of modern musical theatres.

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