The slaves bought with themselves their music traditions (Cooke, 7-9). There were grand dinners and festivals arranged which featured the African dances in the city of New Orleans. Similar gatherings occurred in New England and New York. The African music lacked the harmony present in the European music but the rhythms reflected the similarity of the two music genres (Cooke, 11-14). An increasing number of black musicians eventually learnt how to play various European instruments in the early 19th century, especially the violin. The black slaves who had come as a result of the slave trade had by now learned the harmonic style of European music and incorporated it into their own music styles (Cooke, 14-28).
Many historians agree to it that jazz began just prior to the 20th century and its birthplace is the city of New Orleans. Prior to the World War I, the Creole band which was a band of New Orlean black musicians toured many parts of the country and therefore, jazz music was introduced to many cities like this. The Dixieland band group created the very first example of Ned Orleans style jazz by recording the music. The very first Blues number was the “Dallas Blues” recorded in the year 1912. There were many hit songs from different musicians in the 1900’s including Saint Louis Blues by W.C Handy and Indiana by Ballard MacDonald. The latter was the first recording by the Dixieland jazz band. Until the 1950’s, jazz was considered as music intended mostly for dancing (Tyle).
Jazz is more than hundred years old but the actual circumstances of the birth of this music are rarely known because the recordings of the first jazz band were lost and therefore it is difficult to assume as to how it sounded, but it is possible to create an account of its emergence by gathering scraps of tit bits and information pieces.
Jazz music was different. In the beginning, many musicians had worried about the impact of Jazz on the young generation, as such