One firmly believes that commercialism is crucial for popular music to be appropriately and effectively advertised and duly promoted to enhance the public’s awareness of its existence. Most of contemporary popular music that becomes a phenomenal success has applied strategies…
Otherwise, their target audience would not be reached and knowledge, as well as existence of new compositions, musical scores, and songs would not even be able to reach the intended listeners. The uses of various media (television, radio, online sites) are traditional media for promotion and commercialization of popular music. Thus, appropriate funds and resources are invested to do this with the objective of generating profits in the end.
Yes, one believes that a group, artist, or singers could be too commercial; and at the same time, not commercial enough. There are contemporary singers who could be considered overexposed as listeners tend to hear their songs in all media at almost all possible times. When hearing a particular song is perceived as way too much that audience perceives that their ears are already aching from hearing the same sounds again and again, then, this could be considered an evident proof of being too commercial. On the other hand, there could be very good musical compositions that are not effectively managed and promoted due to factors such as lack of funds, lack of competencies of the managers or promoters, wrong use of media to promote, and reaching only a limited audience. As such, these are examples of a group or singers whose songs and musical compositions are not commercial enough. If the focus is no longer on the music itself (maybe creating promotional products that promote the singer more than the songs), then somehow, there are possibilities of audience losing their interests and appeal; especially if the songs do not reach the quality expected from the music. It could initially be productive for the promoters for having served their commercial interests; but eventually, not being able to sustain a good quality of music would be detrimental to the singer, manager and promoters in the long run.
Rock fans may have rebelled against the popularity ...
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(Industrial Music Essay Example | Topics and Well Written Essays - 500 Words - 1)
“Industrial Music Essay Example | Topics and Well Written Essays - 500 Words - 1”, n.d. https://studentshare.net/music/546256-industrial-music.
The effects spread throughout Western Europe and North America, eventually affecting the rest of the world. Science affected the way we live, largely through technology, i.e., the use of scientific knowledge for practical purposes.
Engines and machines, which are the products of science, revolutionized the idea of progress.
During the Thatcher/Reagan years, it was received wisdom that ideology was what the other guy had. Capitalist democracy wasn't an ideology, but an ideology is a system of beliefs, which is transparent, which represents it as just 'the way things are', and seen this way it is the apparent naturalness of capitalist democracy that demonstrates its ideological status.
1995). Whilst remaining primarily historical some example works will be analysed in detail. However the focus will inevitably be upon how the past two decades have changed the face of music and this will entail a discussion how the younger crowd of musicians is bringing innovative styles and aesthetics into the spot light.
ates this period is generally agreed to have begun at the time of the Civil War (1861-1865).” (Business Dictionary) the main phase of the revolution was that a great change was brought about in the field of technology which involved new techniques in the use of machinery.
There were not any major events that represent the starting point of the Classical Era. It just begun as the younger generation composed a new style of music – which at first showed promise, and eventually dominated, as the older generation began to die off (Moss).
d the overall mood of the album since at the concert the band also performed quite a lot of their older songs, and this makes it harder to analyse the CD as a single entity.
Playing the Angel is DM’s 11th CD, and it was released four years after their previous Exciter album.
manner, music is able to transcend time and space since it generally depicts subjects with which every appreciative human, regardless of age, may relate. Whether a personal milestone or a prevailing experience, a particular song conveys either through its suitable blend of
Later in the 1950s, the style became a nationally accepted symbol of country music with live performance gaining immense popularity. The Honky Tonk music was fusion of hillbilly music with African-American jazz and blues (Shepherd and Horn, 2012). The major
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