O rubor sanguinis by Hildegarde of Bingen - Essay Example

 O rubor sanguinis by Hildegarde of Bingen This eleventh century German classical relates to the activities of time by referring to the economic activities and the civilizations of the early human civilizations. The song follows a popular German myth relating to the eleven thousand virgin associated with Saint Ursula. The song uses very rudimentary musical instruments and is near narration. This was reasonable given the musical instrument available at the time of the production. Additionally, through the poor archiving methodologies, some aspects of the song are lost and the song therefore lacks the originality its composer had initially discovered in the lyrics.

A song is a piece of art that communicates, songs communicate through the numerous features of productions such as the lyrics and the beats accompanying the beats. When this song therefore lacks an effective accompanying beats, it thus fails to communicate effectively and sounds as a basic narration done in a church during the detrimental periods of the human history.Notre Dame Mass,” Machaut (France, 1300-1377)This is another historical love masterpiece adapted from a poem written by the same artist.

The song makes use of a number of artistic features of composition to create a rhythm to the song key among which include rhymes. The artist carefully selects words that sound similar in structuring the sentences in the song. The song is thus a composition of proses that are all rhythmic. This fuses seamlessly with the scanty beats of the time and even though the quality of production is low, the song remains a French masterpiece among lovers of music and history. Love is the oldest topic on which artists have composed lyrics and this old song attest to the same allusions (Langol, Lee, Thomas and Floyd 41).

Ave Maria,” Josquin Desprez (France, 1455-1521) By the time of its production, many artists had taken to the trade and music was fast evolving. Josqui Desprez thus used a number of features in the song to ensure that it remained relevant to the society thousands of years after his death. The poor spelling and the different pronunciation of some of the French words portray just how old the song is. The song further employs the common features of the arts to develop rhymes and other forms of rhythms (Burgess 12).

The artist uses beats sparingly which implies that the lyrics had an effective flow of rhythm. Furthermore, the artist had an advanced production skills and archiving tools, this retained the quality of his songs despite his long journeys throughout the European continent. Pope Marcellus Mass,” Palestrina (Italy, 1525-1594)Considered one of the masters of the Renaissance music, the song easily draws its listener to its origin. Produced in Italy by a famous Italian composer, the song follows familiar Italian cultures and the roles of the pope in the construction of stable and secure societies.

It has an effective rhythm aided by the rhythmic features of music such as rhymes and repetition among others. The Italians are known for their love of music and they thus had an elaborate array of musical instrument such as the harp and the modern violin. The song employs the use of such basic instrument to develop a rhythm. This song communicates the history of Italy through the lyrics and other instruments that the artists use. These relay the basic instrument of the time and the dancing style that must have had the popularity of the time.

Works citedBurgess, Richard J. The Art of Music Production. London: Omnibus, 2005. Print. Langol, Stefani, Lee Whitmore, Thomas E. Rudolph, and Floyd Richmond. Sequencing and Music Production. Van Nuys, CA: Alfred, 2007. Print.