Instruments clearly heard from the song include trumpets, reeds, bass, piano, drums, and trombones (Ellington, 1932). The sounding of these instruments blends to produces the desired jazz music impression.
The drums in this case serve to establish the acts as the metronome to the band. The bass clearly sets the style of the song as well as the progression. It makes the foundation of the root note. Notably, these two, drums and the bass, play a significant role in setting the qualities of progression throughout the song. The melody is in the sax section where it goes back and forth between the Saxes and trumpets (Ellington, 1932). Bones get the melody occasionally although not more than the Saxes, trumpets and trombones that are the basic harmony instruments in this song. From listening to the song, it is clear that the piano provides the bridge linking the bass and higher pitched instruments (Ellington, 1932). The piano helps to create space for the vocals in the song. Probably, this is because the piano has the entire scale of notes and natural concert signature and hence is the teacher of the notes (Keith, 2004).
From a personal perspective, this selected solo is successful because the written arrangement of the various sections merges effectively into a Swing Jazz song. The call and response between sections makes the song progressive and hence interesting to listeners (Typical Jazz Instruments, 2009). However, the solo is successful largely because it is easy to dance to the music. The musicians, actually, seem to enjoy the music. Their dancing makes them look more of entertainers than musicians (Keith, 2004). From a personal view, these qualities of Swing Jazz would not be achieved with an unsuccessful solo. In fact, this song aroused my emotions that I yearned to have lived during the era of Swing Jazz to have a real life experience with the initial