Indonesian Music and Korean Music - Case Study Example

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Indonesian Music and Korean Music

It is said to have originated in 16th century before the arrival or introduction of Islam in Indonesia, because of this, it is slightly modified, had change in new ways and absorbed new contexts (Harnish and Rasmsmusen). According to Harnish and Rasmussen, it is a large ensemble consisting of predominantly tuned, percussion instruments such as metallophones, hanging gongs and kettle gongs. It consists of two basic categories, pencon which are knobbed gong instruments and wilahan or slabbed key instruments (Spiller 60). It is composed of several gongs with different pitches based on the differences in thickness of surfaces, sizes, shapes and weights. It can be arranged vertically or suspended horizontally and struck with a use of a mallet. Slab key instruments compose of ten to fifteen rectangular metal bars arranged from left to right, from smallest to largest. The timbre of the metal bars depends on the softness or hardness of mallet use when playing the instrument. Gamelan Sekaten is a gamelan piece. It has a cyclical pattern and can be played repeatedly many times (Spiller 69-71). ...
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This is a comparative analysis of two different cultures - as Indonesian and Korean in terms of music. Both are unique and original. There are so many differences but the writer had tried to fit them into four pages…
Author : leonel97

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