In the show, the concert set the list, the creativeness, and the doldrums of all composers varied. All these features, in the concert, came jointly to produce a distinctive experience for the fans. The instruments that were used in this concert included violin, flute, harp and electronic sounds, clarinet and digital delay, flute, contrabass string ensemble. The contrabass was for the symphony orchestra.
I enjoyed the first performance that was Rag Bageshree-Night Reflection. The performance was beyond any reason of doubt eclectic. The collaboration between Dinu Ghezzo and her daughter Christine Ghezzo was absolutely awesome. Christine Ghezzo is a world music singer who has been performing globally for over 20 years. She is specialized in Eastern European traditional music. This symphony orchestra went far beyond the disappointment repertoire, and reached a mass audience in ways few have ever imitated. Much of that was due to the performers and composers brilliance. This orchestra did a so very important outreach. Christine Ghezzo was the most beautiful of all the singers at the concert. She possessed such a beautiful voice and musical expression. For me she was a singer of classic poise and seriousness whose talent and creativity allowed produce a moving musical experience at the concert. Her natural humanity of the voice and something of the traits gave it, all momentarily, to the world. I also enjoyed to bits in Memoriam for flute, clarinet and piano. This song was dedicated tot the late Dr. Dinu Ghezzo. The performance included Wendy Luck, globally renowned vocalist, flutist, composer and performer. Wendy Luck has concertized in the United States, France, Italy, France, Poland, and Budapest amid other places. Guido Arbonelli played the clarinet and Michele Fabrizi played the piano. Michele Fabrizi graduated with honors at the Conservatory of Perugia. She performs as a soloist and plays many musical associations and institutions, including Agimus, Associazione Lamina, and Associazione Harmonica, amid others. The other horrific part of this concert was the new experience introduced by the eclectic electronic sounds. Routa Del Tempo by Giorgio Nottoli was like nothing I have experienced before. Routa Del tempo is completely produced by means of the microchip ORION. Giorgio Nottoli work of art was characterized by the tendency towards a gamut created by means of sound masses where the configuration of the resonance varied during lengthy time periods. Further, Routa Del Tempo is also characterized by a preponderance of stacks and bands of sound, but varies in carrying out a major function of discontinuity. Thus, it is normally useful to both the microstructure of sound and the form of the whole concerto. The band is splintered to pulverization and collection of stimulus. The form is subdivided into segments that are powerfully distinguished by diverse progressions of resonance and time. The electronic instrument with which the work was achieved is an incorporated circuit that has been intended for actual time fusion and processing sound. This incorporated circuit was developed by Giorgio Nottoli in 1990. He teaches Electronic Music at the Conservato