People sing the music while acting out the parts without talking much. Some popular types include Italian and Chinese Opera. The essay compares the differences in history and performance styles between Italian Opera and Chinese Opera.
Even though opera did not originate in Venice, its development in Italy was stimulated by the nurturing environment that existed in a serene republic. A good percentage of Europe’s music was dominated by the Italian opera during the seventeenth and eighteenth centuries (Kimbell, 2004, p.238). The bourgeoisies would regularly commission huge and interesting pieces of work that combined drama, music, and dance. The combination of fine arts marked the birth of opera and several cities in Italy, Rome, Florence, Venice, and Naples contributed to the development and perfection of this new genre (Levey, 2004, p.388). But, the entire opera movement was started in Florence, Italy by the Florentine Camerata and the Bardi, who regularly met in an attempt to recreate the Greek drama.
As the 17th century drew to an end, Italian opera was undergoing many challenges and alterations that were later expected to affect its standing in various ways. These changes had produced two visible and different forms of Italian opera. One type was the serious and tragedy-like type referred to as opera seria, while the second type is a lighter and more comic and earthly style that was referred to as opera buffa (Dahlhaus, 2004, p.63). The two forms of Italian opera arose out of common ancestor but were exposed to different influences that shaped and cultured them into the forms we are acquainted with today.
Opera seria first arose in the cities of Venice and Naples and toke an inflexible and practical form by 1720. It was the product of a philosophical movement that started in the late 1600’s (Dahlhaus, 2004, p.45). The famous movement was referred to as Enlightenment and worked effortlessly to seize the entire Europe while affecting ...
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