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Percussion Ensemble Concert
Pages 3 (753 words)
Percussion Ensemble Concert While today it is not difficult to record music, there remains something unique about the live performance. Live performances bring the audience into a heightened connection with the performers. This heightened connection is not only because of the closer physical proximity to the performers, but is also because the audience is privy to the mistakes and nuances of the live environment.
While the same group of musicians performed all the specific percussion tracks, there was considerable variety within these performances. The first performance was of Christopher Rouse’s Ku-Ka-Ilimoku. Even as there was a large amount of musicians, the majority of the musicians in this piece or participated in minimal ways. Instead the main focus was on a group of 7-8 musicians. These musicians implemented snares, timpani drums, and a variety of wood percussion instruments. The sound was clearly influenced by Polynesian tribal songs. In this way the rhythm advanced through an upbeat pace, as if the ensemble was performing tribal rituals for a war hunt. The pulsating and upbeat rhythm remained consistent throughout the song. In large part the melody and thematic undercurrents were established through juxtapositions between the specific percussion players. For instance, numerous times the snare and timpani would stop playing and the only thing that would be heard were the log drums and mallets. Still, in these instances the song’s high tempo was maintained. ...
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