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Psychedelic Rock Concert Posters
Pages 2 (502 words)
The much influence of Eastern approaches of liberation including Taoism and Buddhism was conspicuously used in creative activity of such a vibrant as well as visionary subculture in Haight-Ashbury district in San Francisco. Psychedelic rock concert posters were used to influence the eastern mystical philosophy as far as the visual rhetoric concerns of the posters in addition to its cultural effect was concerned as it radiated outwards from that point of view…
There were kinds of agreed upon art, music, literature, religion, lifestyles as well as social patterns (Albright 234). This brought about the capability of all of this aspects being combined into some fresh kinds which could have no limitations.
With the superficial trappings of the happenings going to influence the styles and famous cultures of the world, most of the participants felt that there was no deeper import in this practice. One of the most influential rock guitarists of that time, Gary Duncan and his band moved out of that culture citing that the culture was something different that the people never understood. What was underground was more than what was not known.
The rock band who were seen to be forefront on several reordering carried out in the society, most of the philosophical changes were seen more in the body of the posters that the artists produced as they were advertising their concerts. The rock bands turned out a big series of the images which called for changes in the musical, social and cultural creations happening during that time. ...
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