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"How do American perceptions of an ideal hero relate to our ideas of masculinity, and how is this American Vision of masculinity portrayed in the fiction Cowboy by Thomas McGuane"
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Today, they come to life in many high-calibrated movie films. However, they do not just come alive in these movie films, but they are perfect portrayal of the American way of viewing masculinity. Such vision of masculinity can also be viewed within the cowboy culture.
The cowboy culture is known for being able to outlaw violence, possess physical prowess, and self-made success (Flood 114). These all reveal the classic views of American masculinity which correspondingly are depicted in movie films that try to emphasize the supernatural powers of superheroes. In fact, the main themes of these films significantly show substantial level of information on the main characters’ way of outlawing violence, and obtaining physical prowess and self-made success. The violence for instance is a perfect portrayal of an evil act and overcoming it is such a good gesture which is highly commendable by the society. Outlawing of violence requires substantial amount of power, energy and something to that effect in the same way with obtaining physical prowess and self-made success. All these characteristics are viewed to be a “must possess” by men in a society where there is strong importance given to competitiveness which is one of the indicators of masculinity based on Hofstede’s theory of cultural dimension. This scenario is perfectly portrayed in the fiction “Cowboy” by Thomas McGuane. “…and they had it positioned by the door of the barn so it’d be convenient for the hired man to stagger out at all hours and fight breech births and scours and any other disorder sent us by cow gods. We had some doozies. One heifer got pregnant and her calf was near as big as she was. Had to reach in with a saw and take it out in pieces” (McGuane 2). This entirely depicts the picture of how the cowboys invest their time in trying to save ...
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