Michelangelo's Sistine Chapel - Report Example

Report The Sistine Chapel The renowned Sistine Chapel, located in the Vatican Rome, was built between 1475 and 1483 is an encryption of history that has evolved over time. The building was named after Commissioner Sixtus IV Della Rovere, the chapel’s commissioner. Baccio Pontelli designed the Chapel. It was to serve as a Capella Magna standing and provide defense due to fear amid tension between the Muhammad II’s Turks and the rulers of Florence and Pope. The Chapel’s most appealing features include the artistic paintings of the biblical stories on the chapel’s walls, artistic painting on the Chapels ceiling and its design, depiction of the Biblical King Solomon’s Temple (Rodin 30). The Sistine chapel brings out the history of origin of nepotism whereby the pope considered their nephew to be their sons. Nepotism is a derivation of the word nephew. The political aspect captured in the Sistine chapel is the church politics. There was contention between the Roman Catholic and Turks. The Chapel advocated the regained supremacy of the pope. It conveys the message of the undoubted authority of the pope. Culturally, the Chapel captures the use of the art painting as a way of communicating and storing information during the Renaissance period. People are depicted as being superstitious through the Chapels artistry work whereby they believe in the existence of an afterlife. The Sistine Chapel, specifically ceiling, is associated with the reconciliation of the humanism vision and the church. The Renaissance humanism advocated the social responsibility to others and to God. Civil engineering deals with designing of structures in town planning involved designing the location positioning of various structures. Architecture branch is concerned with the esthetics of structures. The Sistine Chapel’s compartments were well designed, and door positions were well located and shown. The chapel’s organization was good in its arrangement, and the art painting in its wall being well organized in a particular manner. The structural building and appearance of the chapel captures the artistic appreciation of Rome. Report 2: The School of Athens The school of Athens artwork was done by Raffaello Sanzio, commonly known as Raphael, between 1509 and 1511 after being summoned by Pontiff Pope Julius II. The important features of Raphael’s drawing include highlighting the important characters and controlling the attention of the viewer. The issue addressed by the drawing is the importance of knowledge and its branches. The drawing favors philosophy over other branches such as law, poetry, and theology. The gestures made by Aristotle and that of Plato are highlighted to bring out philosophy as the path to knowledge. Plato’s gesture of pointing upwards is an implication of heaven as being the set of ideas. It implies the belief of the existence of a superstitious being. The drawing captures the period during which Athens lost its political independence. The drawing shows a separation between knowledge and religion. It advocates the knowledge by cause. It, therefore, advocates the Neoplatonism ideology. It influences people to find the causes of the things in life rather than assuming that super beings control them. The art enlightens people on the power of knowledge. All the figures in the fresco are associated with or correlated in their different areas of knowledge such as Euclid demonstrated to students. The fresco captures the idealists as having divergent viewpoints. In the end, Raphael makes a notion of his side by appearing to favor the ideals promoted by Plato. The piece of work is a representation of the natural truth. It, therefore, uses the creativity of art as a way of conveying a message. It, therefore, meets the standards of the Renaissance period of focusing on drama and physical presence. Report 3: Andrea Pozzo Church of St Ignazio The church was a dedication to Ignatius of Loyola and built between 1626 and1650. Giovanni Tristano did one of the Frescoes in the church. Fr. Andrea Pozzo designed the pieces of artwork in the Jesuit church. The most appealing features of the church are the frescoes and the baroque style of the building. The drawing captures the church politics during the Catholic reformation. The reform involved a struggle for control between Catholics and the Muslim Turk’s. The church was associated with the coordination of Holy crusades mobilizing all Christians against the Turks. The frescoes in the church depict the existence of a supernatural being and hence the spiritual aspect of the peoples life. The church was involved in the propagation of the Papal infallibility. Pope Innocent XI used the church as a tool for advocating Catholicism through crusades. The crusades held increased the popularity of the pope accrediting more power to him. The building of the church involved the design of the overall building in the baroque style of building. The structural design of the church was relational to the various features of the church Andrea Pozzo. The building and the magnificence of the frescoes used imply civil engineering and architectural considerations in the building of the church. Report 4: Trevi Fountain Gianlorenzo Bernini did the Fountain of Trevi initial work between 1640 and 1644. The first piece of work was relatively small, and subsequent efforts were to improve the Fountain. However, the profound enhancements occurred after Pope Clement XII decided to improve and enlarge it in 1929. The Pope commissioned Nicola Salvi to undertake the work in 1932. Salvi designed the Fountain and started its work. The construction of the Fountain was completed by Pietro Bracci after Salvi’s death in 1940mcompleting the work in 1962. The most important features of the Fountain of Trevi include Oceanus and his two horses representing natural truth of the sea, the holy waters, and the aqueducts. Water supply to the Fountain is by an aqueduct built by Agrippa. One of the statues shows Agrippa as a tribute to him. The Fountain of Trevi has transcended the social time becoming a center of attraction centuries after its construction. The Fountain captures a sense of social appreciation to artistry work during the High Renaissance period and the mythology of Rome. The people of Rome are depicted to exercise regional discrimination. The Fountain captures the significance of water to the people of Rome. The Fountain is well known for the cultural throwing of coins into the Fountain basin. An attempt to increase the Fountain from the initial Bernini’s work was a way to profess the increased supremacy of the Roman Catholic. Water was of great significance to the Romans. The holy water of the Fountain suggested that embracing the Roman Catholic was of great essence to the life of people. The enormous Fountain of Trevi, formerly known as the Palazzo Poli, was renowned in the urban areas for its triumphal arch statue that releases water that tumbles down to a collecting base. The Fountain proved to be very important to the Roman in conveying the domination of the Roman Catholic. It is large structure captures this and further giving an implication of the continuous flow of life through the flowing of the water. The ultimate end of the water into a large water basin implies the social-religious flow of the society into the Roman Catholic. The symbol undermines the protestant’s criticism. Report 5: Michelangelos Last Judgement at the Sistine Chapel The artistic painting in the Sistine Chapel was completed on 13 October 1541. Buonarroti Michelangelo did the painting. It was painted under the inquest of Clement VII. The painting captures the second coming of Jesus and the ultimate judgment of the humankind (Shrimplin 113). The most appealing aspects of the Last Judgment artistic piece of work include the depiction of the rising of people after rupture. An artistic depiction of the elect and the damned, outstanding use of overlapping images, the manifestation of Christ as the commanding figure which relates to the Bible and the depiction of the two fates of the two sides of humanity; elect and the damned aspect. The painting captures the time of recollection of self-esteem by the Roman Catholic. The Last Judgment painting captures in it the end of the conflict between the Roman Church and Charles V troops. The Roman Church signed a peace treaty with Emperor Charles V. the painting depicts the renewed authority of the Catholic Church. The piece of art captures the society’s belief in the existence of an afterlife. People believed that when one dies the will inherent life after death based on their lifestyles. It entails a social way of life whereby people are accountable to each other and to God. The artwork relates to the religious ideology of conscience propagated by the Protestants against the Catholic Church. The Pope altered the painting, as the original Michelangelo’s painting was offensive to the pope by containing critics to the Roman Catholic. Art during the High Renaissance used styles derived from an examination of the nature. The Last Judgment art is a depiction of the norms in the society. Michelangelo’s artwork depicts the rupture providing a visionary drama plot. The drawing satisfies the basis of focus for the High Renaissance period. His work, however, failed to balance drama and the mannerism. Works Cited Shrimplin, Valerie. Sun-symbolism and Cosmology in Michelangelos Last Judgment. Kirksville, Mo: Truman State University Press, 2000. Print. Rodin, Jesse. Josquins Rome: Hearing and Composing in the Sistine Chapel. New York: Oxford University Press, 2013. Print Read More