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Gran Torino: Communication, Identity and History
Journalism & Communication
Pages 5 (1255 words)
Gran Torino: Communication, Identity and History The film Gran Torino (Schenk, 2008) is an urban story that took place in Detroit Michigan although it could have been anywhere where Vietnamese neighborhoods mingle with working white American. It depicted a retired man who was fresh from being widowed who was stubborn about not leaving his home despite his age ripe for retirement or nursing homes.
This car became the object of a gang’s initiation for a new recruit. This car also became the main reason that Kowalski’s life became entwined with that of his neighbour the Vang Lors, Hmong immigrants from Vietnam. (1) Ethnocentrism in Gran Torino While watching Gran Torino, there are many instances that ethnocentrism comes to mind. Ethnocentrism, however, should be carefully understood for what it was rooted from: a sense of self-pride (Sumner, 1906) and may not exactly be prejudice against another race, color, or nationality (Andersen and Taylor, 2006). This is where the character of Walt Kowalski, a Polish American, played by actor Clint Eastwood enters the consciousness. A Korean war veteran and a retired Ford factory worker in Detroit Michigan, the film opens with Kowalski recently widowed. His personality is gruff and rough, but elderly just the same. In a neighbourhood slowly being crept by Hmong Vietnamese or immigrant-refugees, one can imagine the situation the old man must be going through as he kept on with his life, alone but a pet labrador retriever. Ethnocentrism is revealed in the unwillingness of Kowalski to mingle and become associated with his neighbors. ...
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