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Bicycle Thieves (1948) - Movie Review Example


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Bicycle Thieves (1948)

Being a neorealist film Bicycle Thieves features untrained actors such as Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Vittorio Antonucci etc. The film, released in 1948, basically falls into the genre of drama and crime, however, the movie is so real that it hardly feels like a movie or staged performance, therefore keeping the audience engaged from the beginning till the end. The movie primarily revolves around the unemployed section of the society who has to stand in crowds hopelessly and wait for a miracle offering them a job. The story begins with Antonio Ricci, the character played by Maggiorani, being offered a job of hanging posters, which he is ready to accept with utmost happiness and joy. However, in order to be able to get the job, he needs a qualification, that is being an owner of a bicycle. He does not have a bicycle at the moment and when he gives his wife Maria Ricci (Lianella Carell) this news adding that he has been “cursed since the day (he) was born” and that he feels “like a man in chains,” she momentarily grows unhappy and frustrated (De Sica, 1948). However, neither her unhappiness nor anxiety restrains her from trading her dowry of linen sheets in return for Antonio’s bicycle from the pawn shop. Antonio sets off for work next morning with his son Bruno (Enzo Staiola) getting the cycle ready after dusting it and dropping him at the bus stop. Once at his workplace where he is hanging posters on the wall, a young man comes and steals his bicycle. Antonio is

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The film that I liked the most is “Bicycle Thieves,” directed by Vittorio De Sica, as it rises far above just its simple theme, delving into the evils of the Italian society during the late 1940s. Being a product of neo-realism, the movie features non professional actors, real landscapes and settings, hand held cameras as well as real lighting, which all add to the reality of the film.
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Apart from that, it touches on family life, and relationship between family members. This provides entertainment as well as moral lessons to the viewers. Neorealism is portrayed in the bicycle thief as the film captures reality. It portrays the poor living conditions in Italy, especially after the war.
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hot on the thief’s trail, however despite having followed him with the help of a car, the hero loses track of him. What follows next in the movie is hopeless days spent searching for the bicycle and restless nights spent feeling guilty of not having locked it in the first place. Though the entire movie portrays everyday life of a common man with a simple storyline, it addresses the grave issues present during that era as well as challenges the authorities such as the church and the police. The movie deftly illustrates the life of the poverty-stricken people through the dirty city which is in ruins at places, the tattered and worn out clothes of the people and the long queue for water, which shows unavailability of water at their homes. Therefore, it is seen that the movie precisely captures the economic conditions prevalent at that time in Italy through various instances as aforementioned. Another main theme of the movie is family and relationships, which is experienced through the bond between Maria and Antonio, but more than that through the relationship Bruno shares with his father. The small family stick together at all times, and the main reason Antonio pursues his bicycle throughout the whole corrupted and crime driven city of Rome, equivalent to searching a needle in a haystack, is to sustain his family. This academy award winning movie highlights the familial relationships but further communicates the message of sacrifices and hard work. Contrary to usual movies with happy endings, Bicycle Thieves does not end on a happy note, however the audience still feels happy that the father and son still have each other. Antonio hocks his bicycle before the movie starts, and to get that back Maria sacrifices her dowry possession, thus indicating that


Review on Vittorio De Sica’s Bicycle Thieves (1948) Name University Date Review on Vittorio De Sica’s Bicycle Thieves (1948) Introduction This paper is a critique on one of the greatest films of all time, Ladri di biciclette, which is the epitome of neorealism and still remains the best example to the movement that changed the face of Italian cinematography…
Author : mtoy
Bicycle Thieves (1948) essay example
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