Bicycle Thieves (1948) Movie Review example
Movie Review
Journalism & Communication
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Review on Vittorio De Sica’s Bicycle Thieves (1948) Name University Date Review on Vittorio De Sica’s Bicycle Thieves (1948) Introduction This paper is a critique on one of the greatest films of all time, Ladri di biciclette, which is the epitome of neorealism and still remains the best example to the movement that changed the face of Italian cinematography.


Being a neorealist film Bicycle Thieves features untrained actors such as Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Vittorio Antonucci etc. The film, released in 1948, basically falls into the genre of drama and crime, however, the movie is so real that it hardly feels like a movie or staged performance, therefore keeping the audience engaged from the beginning till the end. The movie primarily revolves around the unemployed section of the society who has to stand in crowds hopelessly and wait for a miracle offering them a job. The story begins with Antonio Ricci, the character played by Maggiorani, being offered a job of hanging posters, which he is ready to accept with utmost happiness and joy. However, in order to be able to get the job, he needs a qualification, that is being an owner of a bicycle. He does not have a bicycle at the moment and when he gives his wife Maria Ricci (Lianella Carell) this news adding that he has been “cursed since the day (he) was born” and that he feels “like a man in chains,” she momentarily grows unhappy and frustrated (De Sica, 1948). ...
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