The myth of Napoleon and the Napoleonic years for the Romantics of the second wave - Essay Example

?The myth of Napoleon and the Napoleonic years for the Romantics of the second wave The myth of Napoleon has been found to have played a significant role in the development of the second wave of French romantic poetry. Such poets as Hugo and Musset were greatly influenced by the events that were considered to have been irrevocably tied to Napoleon, and it is to these myths that some of their greatest works can be attributed. While this may be the fact, the outside world seems to know very little concerning this remarkable man who is often considered to have been the villain in the stories concerning him outside of France itself. In Britain, for example, the fact that Napoleon was considered an enemy of the British civilisation has continued to be the view in the current world and this has affected the way that they view the French ruler (Semmel, 2005). It is said that he was short in stature and that because of his height; he felt that everyone looked down on him, making him want to achieve greatness in compensation. Despite the stereotypes that have developed concerning Napoleon in some countries, the fact remains that he was the greatest ruler that France had ever had since Charlemagne. One myth that has often been propagated concerning Napoleon was his height, which many stated that was quite short. This myth has turned out not to be true and this has been mainly because of the fact that he was 5’7”, which was about the average height of a Frenchman in the nineteenth century. In addition, Napoleon was a genuine believer in a united Europe which united all the European peoples under one state, despite their nationalities and ethnicities, so that there could be lasting peace between them (Clifford, 2008). During this period, it was the British, not Napoleon, who did not want a peaceful settlement to the dispute concerning the dominion of the French empire over Europe, because the French empire was believed to be a potential threat to the prosperity of British trade and security both on land and at sea. An example of the reluctance of the British to reach a peaceful settlement with Napoleon was seen through the British breaking the treaty of Amiens, which resulted in war. In the resultant war, Napoleon only went to war because he wanted to retain his crown and not because he was in any way antagonistic towards the British. It is a fact that unlike other rulers in Europe who after defeat could still simply remains in power, this was not the case with Napoleon and this was because he was considered by the other rulers in Europe to be an upstart, who had taken the crown that legitimately belonged to the Bourbons (Furniss, 2008). Thus, Napoleon could not afford to lose a fight because if he did, then all would be lost for him, an example of this being when in 1812, rumours spread that he had been killed in the Russian campaign, the British worked towards the restoration of the Bourbons, overlooking Napoleon’s son’s claim to the throne. The romantic poets garnered their inspiration from Napoleon, whom they praised considerably in their works while comparing him to his less liked nephew, Napoleon III, who was the French emperor at the time. The image of Napoleon as a hero was not reflected in countries outside France, especially Britain, where the government worked tirelessly to ensure that the reputation of Napoleon was damaged beyond repair. There was the use of widespread propaganda which included the distribution of pamphlets and newspaper articles which stated that Napoleon was a usurper to the French throne who had murdered the rightful monarchs of other European states. In addition, it was stated that Napoleon was an invader of free nations whose aim was to ensure that Britain was brought under his control. The British population was of the belief that their country was about to be invaded by Napoleon worked in the increasing of the negative public opinion of him. However, the dread of Napoleon’s invasion of Britain was not apparent, especially when one considers the fact that during the peace of Amiens, he allowed tourists from Britain to flock to France. These tourists showed a grudging admiration and fascination for the achievements of Napoleon in France, which were quite considerable when compared to his contemporaries. Even after his defeat at Waterloo, when Napoleon was shipped to British waters, it is stated that a large number of small vessels approached the ship in which he was being held so that they could catch a glance of the man who many feared yet admired in equal measure (Ruppert, 2012). Napoleon was so popular that people travelled from far in Britain to see him, and this was a cause for panic for the British government, which feared that Napoleon’s popularity would influence a popular uprising within Britain itself. This is the reason why he was exiled on St. Helena Island, far from Britain, because he was considered a direct threat if he were to step on British soil. The charisma of Napoleon is one of the factors which have contributed to the development of the Napoleonic myth. He is probably the only ruler in modern world history who, after being ousted from power and sent into exile, returned to his throne without a single shot being fired. When news of his returned reached the French, they immediately accepted it and their soldiers flocked to his banners in a show of support. The people cheered his return, looking upon it as a return to the peace and prosperity that they had enjoyed under his rule. The fact that the Bourbon king was quickly forgotten with the return of Napoleon is a testament of his charisma as well as the popularity that he enjoyed among the French people. The ability of Napoleon to move the masses can only be considered to be remarkable, because it showed just how much he was favoured by them. The return of Napoleon to Paris and his throne captivated the political and academic elites all over Europe because such an event had never happened before, thus totally unexpected (Stanley, 2007). During the period of the romantic poets, the fascination over Napoleon and his legacy was still at its peak, with the man’s achievements being so diverse that they created a wide array of myths that bred confusion concerning him. Romantic poets like Hugo, for example, were extremely influenced by the Napoleonic myth especially when one considers that he was born in the period under Napoleon’s rule. In addition, Hugo’s father was a general under Napoleon and he taught his son to have immense reverence and admiration for Napoleon; an admiration which Hugo carried all his life and which he often compared to that of Napoleon III, whom he considered to be a pale shadow of his glorious uncle (Spevack, 1996). Among the most enduring aspects of the Napoleonic legacy were the wars which he fought in order to achieve a united Europe under French dominion. Where Louis XIV had failed, Napoleon succeeded because he managed to bring most of Europe under French rule and to spread the seed of the revolution over the borders of France to other European nations. Because of his achievements, the period under Napoleon’s rule was considered by the romantic poets to be the greatest in French history since he had led the country not only to greatness but also to almost uninterrupted peace and prosperity. The leadership ability of Napoleon was often praised in French romantic poetry and this also played a role in the further development of the Napoleonic myth to what it is in the current age. The myth of Napoleon’s political genius was often stated through his actions after he decided to get directly involved in the government of France (Skiff, 2012). He made popular political marriage to one of the most famous women in France at the time, Josephine de Beauharnais, which further enhanced Napoleon’s image as the national hero. A few years after this, Napoleon was able to gain power in France, in the period which came to be known as the consulate. His political genius then came into play as he had the constitution revised, making him the most powerful man in the country, and with this new power, he was able to have the authority to appoint all the people who were to occupy strategic positions. With Napoleon’s rise to power, it can be said that while the French Revolution officially came to an end, his actions showed that he was indeed a child of the revolution. He swiftly reformed all the crucial sectors in the government, making them more efficient than they had ever been before. Reforms were carried out in such sectors as the economy, the judicial system, as well as the education system. Napoleon’s greatness was further seen when he restored those basic freedoms which the French people had been denied. One of these freedoms was the freedom of religion, which Napoleon reinstated by inviting the Catholic Church back to France, but while this was the case, however, he did not give the Church the absolute authority it once had, and instead, its activities were placed under the supervision of the state. Very few people in the history of France during the age of the romantic poets had received the approval and admiration of the French people like had Napoleon. The fact that he was extremely popular with the French public, especially after the restoration of the empire under Napoleon III, the romantic writers wrote a great deal, not only because they admired him themselves, but also because of the fact that they were writing for an audience that was fairly pro-Napoleon and was nostalgic for the days of greatness that he had made possible for them. Even during the romantic age, there had been written many books and accounts concerning Napoleon and these were read widely by the learned elites in French society (Martin, 2000). The accounts of the life of Napoleon may have played a significant role in the characterisation of this man in the poems influenced by romanticism. The myths surrounding the life and achievements of Napoleon had a great deal of influence on the poetry that was written during the age of romanticism and this is because of the fact that they inspired the works of the romantic writers, who wrote all that was positive concerning the life of this man. In most of the works of the romantic writers, one will find that there is heavy criticism of the rulers that came after Napoleon and these were often compared unfavourably with him; this being in part a further development concerning the Napoleonic myth. Napoleon was among the people who were most admired during the age of romanticism, not only as a leader of men, but also as a man devoted to his family. This admiration does not just stem from the fact that he is one of the greatest men to have ever lived in France, but it also came from the way he conducted himself throughout his life. For many French people, Napoleon was a unique man, who rose from extremely humble origins and became the emperor of France at its most powerful in history. His life was the subject of numerous literatures, with some writers supporting his deeds while others have condemned them. Despite these disagreements about Napoleon, one thing, which all writers agreed upon, was that he was indeed an extraordinary man. Most romantic poets considered Napoleon to have been one of the foremost, military general in world history. Within a few years after becoming the French emperor, he had brought most of continental Europe under his rule. Furthermore, he had created a unique system of government, the like of which had never been seen in Europe. To the romantic poets, the achievements of this man were far superior to those of his successors, none of whom proved to be as capable as he had been. It can therefore be said that the Napoleonic myth influenced romantic poets because it also included the sense of nostalgia for the time of Napoleon, which was the greatest in French history. References Clifford, D.L. 2008, "Napoleon's Conquest of Europe: The War of the Third Coalition", The Journal of Military History, vol. 72, no. 3, pp. 947-948. Furniss, T. 2008, "Re-reading the Politics of Romanticism", Eighteenth - Century Studies, vol. 42, no. 1, pp. 161-166. Martin, A. 2000, "Napoleon on happiness", Raritan, vol. 19, no. 4, pp. 80-105. Ruppert, T. 2012, "Waterloo, Napoleon, and the Vision of Peace in Louisa Stuart Costello's The Maid of the Cyprus Isle", Studies in Romanticism, vol. 51, no. 4, pp. 555-578,633. Semmel, S. 2005, "British Uses for Napoleon", MLN, vol. 120, no. 4, pp. 733-746,962. Skiff, P.D. 2012, "The romantic machine: utopian science and technology after Napoleon", Choice, vol. 50, no. 4, pp. 690-691. Spevack, E. 1996, "August Adolf Ludwig Follen (1794-1855): Political radicalism and literary romanticism in Germany and Switzerland", The Germanic Review, vol. 71, no. 1, pp. 3. Stanley, J. 2007, "French Attitudes toward Poland in the Napoleonic Period", Canadian Slavonic Papers, vol. 49, no. 3, pp. 209-VI. Read More