Extract of sample Postmodernism - The War on Terror
The paper "Postmodernism - The War on Terror" discusses how media influences on society in the era of postmodernism. The media has presented the Iraq war in a very different way in America, as compared to the way in which it is viewed over the rest of the world. Dissenting opinions offered against the Iraq war were presented sparingly in the media during the initial stages of the war, since it became “unpatriotic” to discuss the negative aspects of the war. Support for the war has been largely garnered through the kind of images presented in the media, which have capitalized on the fear generated after the 9/11 attacks to capture public support for the war in Iraq. The “war on terror” has been touted in the media as the war against terrorism and has successfully created a culture of fear in America. It has successfully linked the traumatic events of 9/11 and the terrorist attack on the world trade center with the war in Iraq. The image of a nation at war was also responsible for the re-election of President Bush, since a Commander in chief is not changed midstream. The slogan of the war on terror has created an all-pervasive culture of fear, which in turn has intensified the emotions of the public and has made it easier to mobilize support within the United States. Repeated portrayal of images in the media of the crashing of the terrorist airplanes flying into the World Trade Center and the mayhem and destruction that resulted were instrumental in hyping up the fear against terrorists in the minds of public.
This paper explores postmodernism through the media. Postmodernism puts forward the view that truth or reality is not as it actually is but can be shaped to appear to be something else. Reality is nonexistent and images have little meaning when placed outside their context. …
Many questions arise. How could they do this Why do they hate us It was bad enough to experience such a monstrous event; but to feel it was inexplicable, that it reflects no conceivable motive only adds to our sense of confusion.
These questions are also vital to understanding the ongoing "War on Terrorism." The war is not a conflict with a single nation or group of nations, nor is it a police action against a random assortment of criminals or criminal gangs.
The consequence is that culture is no longer a product of a definite territory; shift in relationship between global and local forces changes the way one tends to view culture, society, relations between nations and, finally, own identities. The direct outcome of globalization process is the irrelevance of local characteristics.
The new era poses greater challenges to critically analyze various conflicts of the past as well as the present and to be able to adapt to contradictory circumstances like the disintegration of states into a smaller and homogenous ethnic communities, to the integration of a larger and more economically viable bloc.
This essay explores postmodernism era. Europe and America were facing a perpetual fluctuation and vicissitude in the political, economical, social, military, and cultural conditions. In such a world of violence and skepticism, the artists launched a movement called "Modernism" according to which they gave up all the romantic Victorian traditions.
Photography was basically about capturing an “Image World” as explained by Guy Debord who said that the world had become a society of the spectacle, meaning everything that was in the world could be recede into a representation. Although photography had been
8 pages (2000 words)Essay
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