Contemporary African artist Fatimah Tuggar is a representative of the Afrofuturism predominantly in the visual arts. Herself, she has received her master's degree at Yale University and attended both the Skowhegan School of Painting and Sculpture and the Whitney Museum Independent Study Program.
These images happened to be digitally made and reveal their constructed nature to question today's commercial system of representation and how cultural image is formed. [Fortin, 2001]
Tuggar's sculptures include real images, primarily domestic ones, which include a leather cushion setting arrangement, a make-up holder, a Calabash bowl, a ceiling fan, an old-fashioned radio, writing tables and dowery plates. Thus, they are pulled into three dimensions. Fatimah manipulates these objects which continue to function but in a re-informed social content and personal history.
Fatimah Tuggar digitally combines photographs of her native Nigeria with images of the West (taken from fashion magazines, mail-order catalogues), thus, creating artworks which raise questions of self-identity and cultural differences. Her works reflect her place in both American and African society.
Instead of creating simple binary oppositions, she looks closely at cultural nuances; she looks between the cultural products and structures to better understand how media technology influences and affects the daily lives of people. She says, that she focuses 'on the internal relationships of the individuals within the image, tempered by the surrounding power structures'. [Kino, 2001]
Sylvie Fortin, the investigator of Fatimah's creations, stays that her digital montages combine sections of images that are garnered from two distinct sources. A first one is considered to be shot in the artist's travels in Northern Nigeria and elsewhere - they betray varying degrees of intimacy and immediacy. The second, boundless virtual bank of found images includes the vast script of Western print and electronic mass media of the last 70 years. That is cinema, travel and fashion and lifestyle magazines, television, advertising and the web. In most cases, the work's conceptualization is launched by the artist's photographs, where the retrieval of a public image follows, thus, creating the intersection of two image systems on its surface. [Fortin, 2001]
Fatimah Tuggar's work, or her digital imaging, is a tool, a method, and a metaphor for genetic manipulation; it's also a site for the nuanced public negotiation of performances of African contemporaneity.
Her 'Money and Matter' is made up of series of nine images that examine the relationship of human beings to capital, both on a personal level and from a social perspective. She uses entertainment technologies as a vehicle for commentary on various and conflicting histories, journeys and materials of her experience. Money as a symbol, is both a subject and object of what people desire and fear. The main theme is the tension between the money's power gaming and elements of distraction and the substance of what matters in people's lives. Here she presents the dynamics of money and matter.
In 'Lady and the Maid' the background ...
Cite this document
(“Contemporry artist Fatimah Tuggar Essay Example | Topics and Well Written Essays - 1250 words”, n.d.)
Retrieved from https://studentshare.net/miscellaneous/275060-contemporry-artist-fatimah-tuggar
(Contemporry Artist Fatimah Tuggar Essay Example | Topics and Well Written Essays - 1250 Words)
“Contemporry Artist Fatimah Tuggar Essay Example | Topics and Well Written Essays - 1250 Words”, n.d. https://studentshare.net/miscellaneous/275060-contemporry-artist-fatimah-tuggar.
People can see, feel, and hear the artistic messages in structures, which is a combination of materials, shapes and colors. The architects communicate their observations through spatial words; these words are embedded with symbolic language mirroring culture.
David comes from a very humble family background. His father, Herman Spero was as well involved in the production management career, which later inspired him into the same career as his father. He began his career at the tender age of 13 years old. David while nurturing his career worked as a cue postcard holder on the upbeat show, which his father was the production manager.
By this time, minimalism was a dominant art style that was widely being used by several artists in the US (Gray 26). While studying for her MFA, she was influenced by artists such as Jim Dine, James Rosenquist, Alex Katz, Al
Da Vinci believes that art is experienced from nature rather than religion. Therefore, his art piece strongly brings the portraits to life due to the model, unlike other artists who uses imagination in their artwork.
Da Vinci was born
Piero della Francesca died on 12 October 1492 of heart related complications in his home town of San Sepolcro. The painting, Saint Jerome and a Supplicant just as with many other of his works is a tempera and oil on wood. The image that
The painting Lovers in a Park by Boucher is a typical example of Rococo style of painting. This is a painting was created in 1758 during the reign of Louis XV. Lovers in a Park on display at the Timken Museum of Art, San
For the purposeof this essay, the researcher has used the Capital Asset Pricing Model (CAPM) and Jensen’s alpha model on 40 listed companies in which 20 companies represented socially responsible investment funds whereas the remaining 20 reflected the performance of the conventional investment funds.