However, since the 1930s onwards a change was observed in the Latin American film industry and initiation of the change occurred especially among Brazilian film directors. For a time period of almost two decades a cultural struggle within the Brazilian film industry was gradually becoming conspicuous and it was mainly reflecting a desperate quest among the film makers to develop their own identity, going beyond the realm of oppression that they encountered due to Western cultural acculturation. Prior to this period Mexican melodramatic films and Brazilian “chanchadas” were only remaking of Hollywood style film narrative. During the period of 1930 to 1950, serious attempts were made to create such films that would elevate the aspects of Latin American life, their social, cultural trends and different aspects of a Latin American individual’s life within such social, cultural, political and economic domain (Hart 1-5).
In this context, influence of Italian cinematic narrative created huge importance on the Latin American film narrative. The post Great War II period, in the history of Italian art is characterized with Neo Realism movement which mainly attempted to focus on everyday life of common people in the post War situation. The trends of Neo Realism in the context of Latin American film making played a considerably important part in developing specific voice of the film makers. During the 60s, French New Wave film narrative technique provided additional impetus to the entire system. The next two decades are considered as the most important phase in the history of Latin American films, as the directors have created and conveyed an original narrative style that was entirely different from Hollywood tradition of mainstream filmmaking and soon the Latin American film industry made its access into the mainstream film industry (Hart 7-13). Huge success and international level recognition of films like