Dada Arts influence on later 20th Century Art - Research Paper Example

November 25, Dada Art’s influence on later 20th Century Art Introduction Dada art rose in popularity during the latter part of the 20th Century. The research delves on the effects of Dada Art on contemporary 20th Century established art benchmarks. The research shows why Dada easily swept the European art scene. Thesis: The Dada art genre significant influenced the latter 20th Century Art, rebelling against established art rules. Dada’s Art influence Dadaism contributed a unique influence on the 20th Century art form. The Dada Art movement did not want a change within the society of its founders. Instead, the Dada artist wanted more. The Dada movement leaders espoused the complete overhaul of the established society, including the prescribed popular art genres. The Dada leaders emphasized a total deletion of all prior prescribed rules, dogmas, and formulas. The movers insisted that the current system that controls societal ethics, moralities, and cultures must be replaced by freedom. Freedom includes the freedom do whatever one feels is art. The Dada art movers insisted that there will be no more rules, especially art rules. Thus, anyone can draw, paint, or take a picture of mundane objects and classify such ordinary objects as art (Brill 72). Further, Verkauf criticized the members of the Dada movements as individuals who prioritizing shocking society with their unorthodox art masterpieces. Verkauf reiterated that the art pieces of the Dada artists are both shocking and without any sense of reality, including artistic art sense. Some terms were recognized ad Dada art inspired. Picadia reiterated that the Dada Art movement did not expecting anything. They wanted nothing, nothing, and nothing. The Dada artists want the viewers of their art masterpieces and understand nothing, nothing, and nothing. The Dada artists clearly want freedom the established societal art norms (Brill 72). In addition, one of the founders of the Dadaism art movement is Marcel Duchamp. Duchamp and other Dadaism did not accept the popularity of the conventional art genres. Instead, Duchamp focused on the subject of the found art style. The style is characterized by the depicting an object or situation that one interestingly find. The typical human person would normally reject the found objects of Duchamp as mundane non-art subjects. Ordinary objects include the typical chair, table, stone, tree, or flower (Kleiner 922). For example, the famous 20th Century Artist used the found art style when he included a simple chair in one of his paintings, Still Life [Exhibit 1]. The exhibit shows Picasso’s art masterpiece, an oil painting focused on typical objects found in everyday life, the chair. Picasso adds other objects to make the chair more attractive to the ordinary person’s eyes. Picasso used Dada style collage by combining several typically found objects such as a newspaper or paper together to produce an art masterpiece. The masterpiece includes a rope. The rope attracts the painting’s viewers to rethink the essence of reality (Kleiner 922). Further, Marcel Duchamp added his mundane art exhibits to emphasize the importance of ordinary things or objects on human life. In his famous 1917 Fountain art masterpiece (Exhibit 2), Fountain focuses on the artistic nature of an everyday object, the porcelain urinal. Duchamp named the urinal as fountain (Duchamp 1). Duchamp was jokingly identifying the draining action of the urinal to a fountain (pun). In the drain, the water goes down. However, the water goes up in a fountain. Duchamp shows the urinal has an important artistic job, to hide the foul –smelling human body’s urine waste from the public. The mere thought of the art painting viewer of a urinal usually turns off the art viewer. Duchamp espouses the urinal can be artistically be classified as an art masterpiece. One interpretation of the Fountain art painting is that the back of the urinal resembles a female, he bathroom Madonna. The word fountain in French is the feminine Fontaine (Juodovitz 91). Criticizing the fountain picture, the average person will not pay $100 to purchase a picture of a urinal. The average person will normally find the urinal picture as not qualifying for any art exhibit. Anyone can do what Duchamp did. Anyone can take a picture of the home’s urinal or the grocery or mall urinal. Next, the same person can place the urinal picture on an art canvass. Finally, the same person can exercise his or her freedom to try to sell the urinal art piece in the Metropolitan Art Museum. However, there is high probability that the curators of the Metropolitan Art Museum will not allow the display of the urinal art piece. Historically, Duchamp espoused his allegiance to the Dada art movement in New York during the 1940s. As a new Dada art convert, Duchamp dropped any preference for the current 20th Century Surrealism art genre. Duchamp’s romance with abstract expressionism art genre endeared him to the very attractive freedom-based Dada art concepts. Consequently, Duchamp created a confusing impression on the public that art should be caged in by society’s prescribed definition of is masterpiece-type art benchmarks. Duchamp impressed on the current society that people, especially the20th century artists must not (Juodovitz) be indebted or caught hostage by the prior art periods’ famous artists who had already died (Craft 4). In addition, Francis Picabia is another famous Dada Artist. Picabia is a French artist. Picabia is one of the leading founders of 20th century Dada Art movement. Picabia’s art works contained messages that cropped up in the art viewers’ minds as they viewed the mundane art masterpieces of Picabia. The art masterpieces sometimes contained two or more independent messages to the 20th century art viewers. One of Picadia’s masterpieces, Exhibit 4, shows a self picture of Picadia (Picabia 1). On the picture, Picadia writes several worlds. The picture contains the woman’s shoe seemingly kicking Picadia’s cigar. The masterpiece catapults mundane objects like shoes into a work of art. The art masterpiece is a collage of several scenes being tightly squeezed into the art piece’s square area. The Title of the masterpiece is from a French word, rastoquouere. The word means Trash within the European environment. Clearly, Picadia is displaying the Dada Art genre’s rebelling against the previously established art forms (Kuenzli 140). Further, Man Ray is another famous Dada movement artist. Man Ray was both a well known photographer and a painter. Man Ray had the capacity to turn useful everyday objects into useless things. By doing so, Ray was able to catapult the useless objects into works of art. With the help of his friend, Duchamp, Man Ray left signposts for future artists to emulate. Ray conceptualized the artistic idea that ideas always overpower or replace aesthetics. This is the essence of conceptualism in within the art horizon. In one art masterpiece, Ray’s love interest, Lee Miller, broke up the love relationship with Ray. To avenge her unfair act, Ray painted a dismembered female body. Ray brought out his love failure onto the drawing board (Goldberg 28). Furthermore, exhibit 5 shows one of Ray’s dada Art masterpieces (Ray 1). The masterpiece shows plain everyday objects being arranged in a prescribed manner. The manner indicates the objects are grouped together to resemble a human face. The center of the paper sows the hand print on the white environment. The handprint seems to send a message to the art masterpiece viewers to stop. The bottom of the art masterpiece shows musical notes inserted into the picture. The two circular objects resemble the eyes of a person. Individually, the objects deliver different unique messages. Combined, all the objects send a different group message. The group message shows the human person is asking the art piece viewers to stop a certain activity. Furthermore, 20th century art is composed of several genres. One of the genres is futurism. Futurism delves futuristic themes. The futuristic themes include cars, technology, airplanes, and the busy industrialized city. One of famous art masterpieces of the Futurism genre is Boccioni’s “Unique Forms of Continuity…” , the art masterpiece projects an image that the metal figure is about to free itself from the gravitational pull (Boccioni 10. The figure depicts a futuristic action within the figure’s 360 degree space. The figure seems to metamorphose into a propeller in order to fly away into space (Vacche 244). Moreover, the Dada art movement is an avant-garde art movement that arose during 1916. The movement started in Zurich. The movement spread like wildfire to other European cities. There was strong acceptance of the new 20th century art form. During 1924, several individuals from Paris accepted the new art form with open arms. Other individuals from Berlin eagerly accepted the different no holds barred rebellious art form. The Dada Art movement cropped up from the ravages of the 1st Word War. The art movement captivated the freedom loving citizens of the European continent. The people admired how the Dada artists openly criticized the accepted art forms of their time. In real life, many Dada artists also rebelled about the established policies implemented by their governments. The Dada artists questioned why their governments were eager to engage in wars against other nations. The Dada artists rebelled against organizations that espoused entering into a full scale war against other nations (Craft 3). Further, the Dada art movement literally rebelled against the established art rules of later 20th century art. By doing so, the artists opened up the floodgates to new artists. With a no holds barred concept of art, anyone can claim to be an artist. By just taking picture of a plain stone, one can sell the stone picture as an art masterpiece. Another mediocre person can draw a stick figure of a person. Next, the mediocre person can place the plain stick figure inside an art frame. The person can now sell the stick picture as an art. This is the very essence of Dada Art (Rathus, 491). Furthermore, the Dada Art movement allows everyone in society to identify himself or herself as a self-proclaim artist. Dada art emphasizes there are no art rules preventing the ordinary untrained person from splashing paint onto a canvass. Consequently, the same person can proclaim that the unintentionally splashed paint output is a work of art. The same person cannot be prohibited from displaying the mundane art work in the Metropolitan Museum of Art as part of its abstract art collections (Rathus 491). Conclusion Based on the above discussion, the Dada art gained popularity during the latter part of the 20th Century. Dada Art rebelled against established art rules. The Dada Art movement effortlessly gained many followers in France, Germany and other European nations. The movement encouraged everyone to be an artist in one’s own right. Evidently, the Dada art movement greatly influenced the later 20th century Art, seeking to overthrow the firmly established art doctrines or dogmas. Works Cited: Boccioni, Umberto. Unique Forms of Continuing Space. Metropolitan Museum. Web. 26 Nov. 2014. < http://www.metmuseum.org/toah/works-of-art/1990.38.3 > Brill, Dorothee. Shock and Senseless in Dada and Fluxus. New Hampshire: UPNE Press, 2010. Craft, Catherine. An Audience of Artists: Dada, Neo Dada, and the Emergence of Abstract Expressionism. Chicago: University of Chicago Press, 2012. Print. Duchamp, Marcel. Fountain. Tate. Web. 26 Nov. 2014. Goldberg, Vicky. "Man Ray, the Man." American Photographer (1989): 26-27. Print. Juodovitz, Dalia. Drawing on Art: Duchamp and Company. Minneapolis: University of Minnesota Press, 2010. Print. Kleiner, Fred. Gardners Art Through the Ages. New York: Cengage Learning , 2010. Print. Kuenzli, Rodulf. Dada. London: Phaidon Press, 2006. Print. Picabia, Francis. Tableau Rastadada. New York Times. Web 26. Nov. 2014. < http://www.nytimes.com/2014/10/31/arts/design/dadaist-self-deprecation-now-at-moma.html?_r=0 > Rathus, Lois. Understanding Art. New York: Cengage Learning, 2012. Print. Ray, Man. Self Portrait. Dadart.Web. 26. Nov. 2014. < http://www.dadart.com/dadaism/dada/036-manray.html > Vacche, Angela. Diva. Texas: University of Texas Press, 2008. Print. Exhibits: Exhibit 1 Exhibit 2 Fountain, by http://www.tate.org.uk/art/artworks/duchamp-fountain-t07573 Exhibit 3 http://www.metmuseum.org/toah/works-of-art/1990.38.3 Exhibit 4 http://www.nytimes.com/2014/10/31/arts/design/dadaist-self-deprecation-now-at-moma.html?_r=0 Picabia, Exhibit 5 http://www.dadart.com/dadaism/dada/036-manray.html Read More