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Both Faustini and Cavalli's Calisto and Quinault and Lully's Atys are mortals who find themselves ensnared in a web of amor
Pages 3 (753 words)
Name Date Professor’s Name Course Section/# Libretto Analysis: A Discussion of Fatalism in Faustini and Cavalli’s “Calisto” as well as Quinault and Lully’s “Atys” One of the first aspects of understanding that come to mind with regards to reading ancient European mythology is with regards to the fatalism that it is inherently represented to the viewer/reader/listener.
This idea of progress, thumbing one’s nose at the intentions and designs of the deities, was understood to be tantamount to the worst possible crime that could be committed by man against the gods. Understandings of progress and an appreciation for mythology has pervaded European culture throughout the centuries. As such, at the time that operatic dramas began to be exhibited within Europe, near the beginning of the Baroque period, an understanding and general appreciation for the compliments of mythology and the idea that humans were merely the playthings of the gods, was carried alongside the musical development and plot design that came to define these operas. As a function of understanding this to a more full and complete degree, the following analysis will discuss the way in which Faustini and Cavalli’s “Calisto” as well as Quinault and Lully’s “Atys” represented mere mortals that were operating merely as pawns in a struggle for self-determination and freedom from the gods. ...
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