The paper "Impact Of Recordings On Performance" describes that the actual recording of various types of musical instruments would eventually lead to a decline in the quality of music. He discussed the scenario by which the finer abilities of the human ear…
This is because they are able to pick up subtle differences in tone and sound on a recording that the average human listener cannot grasp in a live performance. This has served to not only improve the quality of recordings but has also worked to make the live performance even more enjoyable. The interesting reality in all of this is that the recording of music has likely pushed the musician to perfect his or her craft even further than in the past. Whereas mistakes in live performances went largely unnoticed in previous generations, the average listener today has an ear that is much more refined and cultured. As such, artists today tend to devote more time to get just the right pitch, rhythm, and sound out of their violin, regardless if they are performing in a recording studio or for a live audience. The recording has opened up music to a wider audience. Violinists, for example, are not known to travel the world on grandiose tours. Many of them stay with one symphony for an extended period of time. This creates a situation where the audience must either travel to them or pick up a recording of the art created either live or in a studio. This is not a bad development, however, because it gives the violinist access to a global audience, thereby promoting classical music to new generations on a continual basis. The recording of music, with all of its various downfalls, will most certainly continue to make a positive impact on the future of the industry, as represented in the works of Kreisler, Heifetz, and Menuhin. ...
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