History of Detroit Techno as a Form of Musical Expression

History of Detroit Techno as a Form of Musical Expression Book Report/Review example
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Detroit techno is considered as a separate and unique musical genre that introduced an explosive yet intelligent type of club music. Dance music considered as underground paved way for the establishment of a separate identity of Detroit techno.


It was in 1988 when techno established its own genre apart from its mixture of inspiration. Now called as the Belleville Three, Juan Atkins, Derrick May, and Kevin Saunderson are considered as the founding fathers of Detroit techno (Brewster and Broughton 323). Roots of Detroit Techno Atkins, May, and Saunderson were natives of Belleville, Detroit who had a penchant for the sport football. Apart from being a football aficionado, they were also among the few African-Americans in a white suburb which basically brought them together. However, more than anything else, their passion for music sealed their sturdy friendship (Brewster and Broughton 323). Detroit was a hub then for various musical genres, that of Prince’s, classical, funk, and European rock. A prominent record producer, Berry Gordy, Jr., the founder of Motown record label, also came in the picture that made soulful music popular among common Detroit natives. The Wizard was also credited as one of the influences of the three techno pioneers. A radio disc jockey, The Wizard creatively fused records specifically hip hop (Brewster and Broughton 324). Not to be out listed from the discography of Detroit techno, Atkins met during his freshman year in college Rick Davis, who later collaborated with Atkins and formed a band named Cybotron (Brewster and Broughton 325). ...
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