The Love of Art: European Art Museums and their Publics - Essay Example

The stance of authors in this chapter is about freedom of expression that should be given to art because, in that way, it is expected that the visitors and audiences will be able to get the correct message of art pieces. In this way, it is expected that the audiences will be able to relate their experiences with that of the artists (Bourdieu & Darbel, 1997, p. 3). The authors have made use of allegory in this chapter to explain the ways in which the audience interprets any general art piece. In addition, the authors put a base of understanding in this chapter by depicting visual art as a tool through which civilizations have transferred their rituals and customs. In other words, it can be said that the authors give more consideration to artwork than its written explanation. By the end of this chapter, readers will be able to see that the focus of authors is on gaining the attention of authorities who can fulfill the expectations of the modern population with arts (Bourdieu & Darbel, 1997, p. 5).

The second chapter of the book is spread over ten pages of the book discussing the research methodology through which the authors have been able to direct their message. The authors note that they have made use of a simple questionnaire. Careful consideration was given to the type of answers that were given in the questionnaire (Bourdieu & Darbel, 1997, p. 11). Responses that were not defining aesthetics were not undertaken for analysis purposes. The survey was conducted within the museums. The participants of the research were the public of the museum. The same questionnaire was used over the years to estimate the expected change. A number of limitations have also been addressed in this chapter such as participants who could not answer all questions. This was one limitation that made the survey process a little complicated for assessment purposes (Bourdieu & Darbel, 1997, p. 12).

Finally the third chapter of the book entitled The Social Conditions of Cultural Practice is yet another effective address of authors in the book. The chapter shows the expectations of the authors with the overall process of research (Bourdieu & Darbel, 1997, p. 21). It was marked in the research that more and more visibility is needed to be given to the application of the same survey and standards to different museums. In this way, it can be fairly augmented that participants require various changes in museum settings and depiction of art without employing lectures and notes to further interpret artwork. A number of statistical formulas have been used in this chapter to empirically assess the data collected (Bourdieu & Darbel, 1997, p. 30).