The goal of these “dozens” was to insult the competitor. The first quatrain was devoted to proclaiming the improviser’s own virtues; the second one was full of contempt towards the competitor; and the third and the following ones told about the improviser’s alleged raping of his competitor’s mother, her physiology and other details, and about the events in the black community. This competition could go on for hours! And if the winner could not be determined for a long period of time, the competitors simply fought with each other, being helped by their buff. “Signifying” differed from “dozens” by the freedom of improvisation, the use of syncopation, complicated versification and virtuosic alliteration, whereas their meaning and goal were pretty much the same.This tradition of these “dozens” is probably rooted in traditional for many nations fights for dominance and male prevalence. In fact similar traditions can be found in almost all cultures, and even in the animal world where the males often try to prove to each other that they have the power, the right to have the best woman, and are superior. These elements of violence have become crucial features of rap at practically any stage of its development – from the early hip-hop to “gangsta rap”, but still this “violence” was of different character for different epochs. It has become globally famous due to its homophobic, misogynistic, and vivid sexist lyrics and its aggressive portrayal of the urban slum life in the United States of America.
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