In accord to this, it is not incorrect in highlighting that the roles in the society such as of a father, mother, sister, brother, women, and men are also defined by the images presented by the media making it the ground reality with the passage of time (Sutherland & Feltey, 2010).
However, constructionists highlight that race, ethnicity, gender, sexuality, and social class has no meaning to the individual until the media gives it a meaning. Therefore, watching films is a process that involves immense interpretation and it is through the films and that individuals perceive what it takes to be a man, woman, gay lesbian, black, white, Asian, Latino, middle class or working class. Thus, the images reinforce the roles of the individuals to such an extent that the reality and the constructed reality infuses with one another to form the factual living standards (Sutherland & Feltey, 2010).
The paper that follows has used authentic articles, websites, and journal articles as its building blocks to present the argument based on the topic gender representations in the James Bond movies. It presents a detailed and well-rendered sketch depicting a comparative analysis of the characters.
One of the major reasons for analyzing the content was the emergences of the modern women’s movement that began in the 1950s. In the 1960s, the content of media was paid much greater attention in terms what did it offer to its audience to view. It is imperative to highlight here that Stern mentioned that the early researchers of feminist were more interested in surfacing the portrayal of women in media in the western culture. James Bond, a fictional novel based film made its way into the media in the 1950s during the sociopolitical awareness.