Bourdieu was born in the 1930s and he became an authority in the field of Sociology. Many of his theories are relevant to defining social ideas and concepts like fashion and habits. The idea of cultural capital is a sub-section of one of four main ideas and concepts that he uses to describe how people accept their role and status in society. Therefore, Bourdieu begins his thesis by saying there are four species of capital that determines the fields of interactions within society (Bourdieu, 1984). These fields of interactions lead to the definition of habitus which are the frameworks within which people act and do things (Williams, 2008). Finally, the Habitus forms the basis for symbolism or what Bourdieu defines as symbolic violence (Bourdieu, 1984). These four concepts and ideas come together to shape what is ideal and what is befitting for different people and different classes of persons in society. These variables are applicable to many perceptions and views that exists and it comes together to define fashion and appearance, since those two are part of a framework of what is desirable and what is not. To recap the pointers, the main interlinked issues in Bourdieu’s central argument are:1. Species of Capital;2. Fields;3. Habitus;4. Symbolism/Symbolic ViolenceThe first two variables relate directly to the cultural capital dimension whilst the last two variables relate directly with tastes and habits. These four variables come together to define how society creates perceptions and how these affect.
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The purpose of this paper “Cultural Hierarchies in Popular Fashion” is to examine the idea of culture and taste as presented by Bourdieu in his conceptual writings. The essence of this paper is to examine and review the idea of taste in the analysis of cultural hierarchies…
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