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The Dresden Triptych and Marcel Duchamp - Coursework Example

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The paper analyzes The Dresden Triptych and Marcel Duchamp clip for the "Shock of the new". The first video clip presents an insight on the painting styles of Otto Dix. As demonstrated here, Dix adopted a unique form of painting style in which he massively applied the principles of realism…
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The Dresden Triptych and Marcel Duchamp
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Response to Video Clips The first video clip presents an insight on the painting styles of Otto Dix. As demonstratedhere, Dix adopted a unique form of painting style in which he massively applied the principles of realism, a movement that greatly influenced art at the time of his existence. I would like to concur with the assertion that Dix was a realist. He made paintings that mainly centered on the theme of horror. As seen in the clip, Dix was interested in portraying horrific paintings of the war.

For example, most of the paintings shown in the clip were taken during World War I. The images of wounded and dead soldiers indicate how the war caused a lot of sufferings to the people. These were meant to sensitize people on the dangers and brutalities of war. Indeed, the experiences of soldiers during the World War I are a clear proof that this artist was concerned about catastrophes that made life quite challenging for the society. The second clip is about an interview in which Marcel Duchamp, a France artist, was giving an insight on his painting styles.

True to his arguments, Duchamp produced quite controversial artworks that elicited mixed reactions from his supporters and critics. Having keenly listened to his arguments, I would like to point out that this artist really revolutionized the painting industry. He did not join the bandwagon of European painters who merely concentrated on the physical outlook. Instead, Duchamp went ahead to produce 3 dimensional artworks that appealed to the eye and elicited mental thinking to the viewers. This was seen in paintings like the Nude Descending a Staircase and Portrait of Chess Players.

These were not ordinary paintings, but were artworks which were produced to create a sense humor and express the ideas of the futurists and cubists that the artist in which the artist strongly believed.

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